Jason says: “There has been a lot of talk, both this weekend and leading up to it, about what a massive global juggernaut STAR WARS: THE FORCE AWAKENS would be at the box office and how it was sucking up
Jason says: “Stories about art and artists are fantastic opportunities for makers of animated films, and I suspect that if I knew more about Japanese art, I’d be even more impressed by how MISS HOKUSAI uses it to give its
Jason says: “One of the most enjoyable parts of this festival (and movie-going in general) over the past few years has been finding kid-friendly movies that brothers and sisters-in-law would deem okay for their girls despite never having heard of
Jason says: “The mountain that gives MERU its title is described within the film as ‘the anti-Everest’, although as you might expect, that does not mean that it is a pleasant ascent even for those who get winded by the
Jason says: “Brian Wilson and the Beach Boys made some of their best songs (and one of pop music’s greatest albums) by meticulously – indeed, maniacally – piecing small fractions together that aren’t naturally found near each other, inventing what
Jason says: “The most impressive thing about MERCHANTS OF DOUBT may be the apparent lack of resignation on the part of its makers. It is, after all, a documentary that is well-researched, clear in its message, and attractively presented, but
Jason says: “A sequel to CROUCHING TIGER, HIDDEN DRAGON was supposed to open on Imax screens this weekend, but that seems to have fallen into some bizarre limbo. Still, as South Korea’s MEMORIES OF THE SWORD begins, one might naturally
Jason says: “There are plenty of reasons to be wary of ME AND EARL AND THE DYING GIRL from the start, it’s got a seeming tendency to be glib and self-aware in a way that doesn’t always do it many
Michael says: “I just enjoyed an odd little movie called MATCH written and directed by Stephen Belber (who wrote Richard Linklater’s TAPE). It stars Patrick Stewart, as a famed ballet dancer and choreographer, who now lives a solitary existence teaching
Jason says: “More of this, please. “I’ve got no idea whether this reboot of Sweden’s JÖNSSONLIGAN franchise was popular enough to spawn sequels, but I want it to be. It’s a neat, tight little caper movie that introduces its characters
Thom says: “This entertaining sci-fi thriller reminded me a bit of 2013 multi-Oscar box office boffo returns GRAVITY, which was an original screen play. THE MARTIAN was adapted from Andy Weir’s bestselling novel. While this newish, Oscar-nominated film made less
Jason says: “While, to a certain extent, murder is murder, a story that could be easily set in any era becomes much more fascinating when placed in a specific time, and not just because cell phones, GPS, and security cameras
Kyle says: “Maverick writer/director Larry Clark received an award from the Rome Film Festival in 2012 for MARFA GIRL, which has since made sporadic appearances at various international film festivals, before finally making its DVD and Netflix debuts in the
Jason says: “Hollywood stories can be self-indulgent or snide, depending on what sort of axes the people making them have to grind, rarely managing to hit the sweet spot in the middle. What they seldom are, though, is extraneous, but
Jason says: “David Gordon Green seems to make movies in spurts-first some noteworthy independent dramas, then some crude studio comedies. Now, a year after doing JOE and reminding audiences that, yeah, Nicholas Cage can act a little when he decides
Jason says: “There’s a moment at the end of a lot of the really good ‘Coen-like’ movies (a description unfair to everyone involved, but one people use) where someone sits down, has a long sigh, and considers just what all
Jason says: “There are a lot of romantic comedies that start from from premises as ludicrous as that of A LA MALA, but few of them do as well in selling that starting point. It’s a goofy little thing, but
Jason says: “Show me MAGGIE at a genre film festival with a cast of unknowns, and I likely react with unreserved excitement. That is, after all, the natural life-cycle and scale of movies such which play with genre conventions the
Jason says: “Though I can’t recite it from memory or anything, ‘Macbeth’ is probably the bit of Shakespeare that has lodged itself in my head the most firmly ever since high school, and that’s kind of an issue when watching
Jason says: “The first of three Sion Sono films being shown at this year’s festival is a joyous, crazy delight, piling whimsy ever-higher even while Sono reveals a darkness behind it. The great bit, though, is that the pieces that