Kyle says: “Although VALLEY OF SAINTS made its debut at the Sundance Film Festival three years ago, it is only now in 2015 receiving a general release. That it was shot during the 2010 Kashmir rebellion against India,
Jason says: “UNCANNY jokes about the Turing Test casually enough to make even longtime science fiction fans marvel a bit at how the phrase has started to enter the general lexicon in the last few years. The go-to reference for
Jason says: “I’ve noted before that young actresses often have to write something for themselves if they want a good part, but what about when you discover that your own life may be that good part. If you’re Samantha
Jason says: “I suspect that TWENTY being successful enough in South Korea to merit a quick try-to-beat-the-pirates release in the United States owes as much to the popularity of its good-looking young cast as anything else; it’s not a particularly
Jason says: “TURBO KID seemed to be on the fast track to being a cult hit well before its release; folks seemed keen on the short film produced as part of a contest connected to ABC’S OF DEATH and it
Jason says: “TRUMBO has what is really a distractingly good cast in more ways than one, especially for those who love movies and as a result have a sharp eye for those involved. Right away, you’ve got to decide whether
Jason says: “There’s a shiny new Shaw Brothers logo among the vanity cards before TRIUMPH IN THE SKIES, likely because it’s a spinoff of a TV show that ran on Hong Kong’s TVB network, which was also founded by the
Jason says: “Well, that’s certainly something I’m glad to have seen, although I’m also sort of thankful that I’ll likely never see the like again. The excited parts of that sentence are to be expected from a movie whose opening
Kyle says: “As a die-hard vampire movie fan, and unapologetic TWILIGHT SAGA maven, who sighed along with legions of tweens at the performance of Taylor Lautner as Jacob Black the werewolf in NEW MOON and ECLIPSE, I have followed with
Jason says: “I’ve got a rule of thumb that may not apply to everybody, but which has treated me fairly well: When a foreign, documentary, or otherwise limited-release movie plays on a 3D or IMAX screen usually reserved for much
Kyle says: “TOM AT THE FARM is a 2013 film (only now receiving its New York release in August 2015) by wunderkind maverick virtuoso genius-boy (as Walter Pidgeon refers to Kirk Douglas in THE BAD AND THE BEAUTIFUL) writer/director Xavier
Jason says: “The characters in Dante Lam’s latest, TO THE FORE, often seem like they wouldn’t know what to do if they couldn’t be professional cyclists, and in a way, the film he made reflects that: When the characters are
Jason says: “It’s a bit odd that the first film from Mauritania to be nominated for an Academy Award is about Mali, but this isn’t the sort of movie that a country generally makes about itself until much later in
Jason says: “It feels a bit like giving the game away to say that THEY LOOK LIKE PEOPLE is seldom the movie it’s expected to be from the descriptions written in festival programs, which talks about how Wyatt (MacLeod Andrews)
Jason says: “The title of THERAPY FOR A VAMPIRE (‘DER VAMPIR AUF DER COUCH’ in the original German) suggests something that may not quite be hackneyed, although I’m sure I’ve seen a vampire getting psychoanalysis before, but which is a
Jason says: “As a fan of filmmakers giving me something great that I don’t necessarily expect, I was kind of already in the tank for OFFICE (aka GORGEOUS OFFICE WORKERS aka DESIGN FOR LIVING) – who expected the first time
Thom says: “I had a lot of mixed feelings about this laconic film. It’s obscure, dim, pastel color palette somehow melds well with its depressing, austere style that features an enormous number of obnoxious, repellent characters. An appealing teacher takes
Jason says: “The Western never really dies; it just picks up and moves to unexpected places in unexpected forms. In this case, that’s a coming-of-age film set in Arabia, and it’s an impressive, thrilling piece of entertainment. “The year is
Jason says: “There is a lot of bloat in TEVAR, a 157-minute Bollywood ‘thriller’ that could be remade as a direct-to-video action flick roughly half that length without particularly suffering for the revision. It’s all well and good to have
Jason says: “I suspect that many watching (T)ERROR, even with plentiful assurances to the contrary, will be expecting that, by the end, a curtain will be pulled back to reveal the film as fictitious, heavy on re-enactments, or some other