Michael says: “This gentle film about losing a parent was based on an autobiographical ‘New Yorker’ essay written by Chang-Rae Lee, who then co-wrote the screenplay with director Wayne Wang, best known for his adaptation of Amy Tan’s THE JOY LUCK
Diane says: “I’ll put UNCLE FRANK a notch above a Hallmark movie. An Amazon original by Alan Ball (screenplay, AMERICAN BEAUTY), this 1970s-set drama uses the perspective of adolescent Beth (well played by Sophia Lillis) who yearns for something more
Michael says: “There’s something about a Peter Weir film that appeals to me… even if I don’t like the film overall. Case in point: I’m not a fan of DEAD POET’S SOCIETY in the least, but I can’t deny the
Michael says: “I was reading a negative review of TRIGGER, Bruce McDonald’s spiritual sequel to HARD CORE LOGO, starring Molly Parker and Tracy Wright, when a line caught my eye. Paraphrased, it something to the effect of while TRIGGER was
Diane says: “In a part of Mexico wracked with violent gangs, Ulises is the leader of a group of young dancers, Los Terkos. Day after day they get together to hone their moves to cumbia, slowed-down Colombian songs. Ulises is
Michael says: “This delightful Irish film is another version for a high school rom-com, that follows a lot of the standard framework, but the main difference here is that Eddie is gay (and deeply closeted) and he’s dating Amber, a
Michael says: “I often wonder about the genesis of documentaries and how the decision to make a film about a certain subject must be nerve-wracking. Not every story is compelling, no matter how much shooting and editing the filmmaker does.
Chris says: “On the basis of this (I haven’t seen his other work), Pedro Costa makes slow cinema like Tsai Ming-liang, only without his playfulness or, in fact, any trace of humor. This is not a negative critique, for this