Chris says: “Here’s a film that should join ALL THE PRESIDENT’S MEN or ABSENCE OF MALICE as required viewing for all Journalism students. SHATTERED GLASS recreates the incredible story of Stephen Glass, the young New Republic reporter whom in 1998
Peg says: “Based on a stage play of his (and maybe more successful in that format) this was a dark, intriguing little tale of a beautiful grad student and artist (Rachel Weisz) who seduces a geeky museum docent (Paul Rudd)
Laura says: “This outstanding omnibus is a French production featuring a short film from 11 global filmmakers. Their only guidelines were that the film be a reflection on 9/11 and that it be 11 minutes, 9 seconds and 1 frame
Laura says: “When Academy Award winning documentarian Aviva Slesin (THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE) returned to Lithuania after fifty years to meet the woman who had saved her as a baby from
Esmé says: “THE SEA is a sort of Icelandic King Lear. An aging patriarch calls his children back from the 4 corners of Europe to give them news of what, they aren’t yet sure. He owns an antiquated fish processing
Howard says: “As a docudrama, SEABISCUIT plays wonderfully. Here are reenactments of the most important moments of the horse and the people who loved him. As a piece of cinema it lacks slightly. It’s interesting and even compelling at times,
Diane says: “SCHOOL OF ROCK is the film that TO BE AND TO HAVE wanted to be! Great opp. to admire Mike White’s eyelashes once again. Only way this movie could have been improved would be to have shot it
Diane says: “Documaker Rob Moss revisits some of his rafting pals from a Grand Canyon trip in 1978, made into a docu called ‘riverdogs.’ Too bad he doesn’t give newcomers like me enough context for the first trip and what
Howard says: “I wondered when I watched the trailer for SCARY MOVIE 3 why I was laughing so hard. Sure I enjoyed the first two films, but they seemed… amateurish. Yeah, I know the entire series is nothing but crass,
Michael says: “Day 2 of the Boston International Festival of Women’s Cinema saw Rose Troche and her third film, THE SAFETY OF OBJECTS. Based on the short stories of A.M. Homes, Troche elegantly weaves the disparate stories into a unified