Ellen says: “It is tempting to compare THE SON’S ROOM to IN THE BEDROOM since the theme is a family dealing with the death of their teenage son, however, the way that this film elicits your emotions is very different.
Scot says: “I was blown away by this quiet little ‘family piece.’ “Middle-aged Frances (Jacqueline Bisset) is an out-of-work writer/reporter who once consoled lonely men in 1950s Florida both with her overnight radio show and her company. When she learns
Michael says: “I wanted to just say a few words about Sarah’s short film, I SHOUT LOVE. I felt it was quite an accomplished, entertaining, and effective effort from a novice director. Sarah did a terrific job merging the very
Clinton says: “A charming and quirky comedy about dominant/submissive relationships, and how they can lead to profound emotional connections. Gyllenhaal completely steals the film as Lee Holloway, a young woman just released from a mental institution, where she was hospitalized
Michael says: “Babak Payami’s SECRET BALLOT is an interesting Iranian film dealing with a nation’s population and its ability to change the way things work. A box is dropped from a helicopter to an army guard post where two soldiers
Michael says: “Rosanna Arquette interviews international actresses about growing older in the business and trying to have it all: career, love, family. At first I thought there would be too much about Arquette, and although the film is as much
Robin says: “Acting ranges from dependable to first-class, especially Penn and the adorable Dakota Fanning. There is bound to be comparison made to Dustin Hoffman’s portrayal of the mentally challenged Raymond in RAIN MAN and there is, sometimes during I
Hilary says: “I commented a bit about this film a couple of weeks ago. I agree that it never quite comes together, despite some decent performances. I particularly enjoyed Maura Tierney as the bitter ‘Lady’ to James LeGros’ Macbeth. Her
Bob says: “SADE didn’t do much for me, and I’m not sure why. Maybe I was putting too much energy into comparing it with QUILLS and MARAT/SADE (which is one of my faves). It seemed to be more about the
Laura says: “Ad exec Roger (Campbell Scott) delights his coworkers and boss and secret lover Joyce (Isabella Rossellini) with his witty rationale on why women will take over the world during a boozy bistro session, but a later visit to