Michael says: “Sunday afternoon at the Boston Fantastic Film Festival found me catching two Japanese movies about a couple of very different beasts. First up was the family anime film, JUNKERS COME HERE. Junkers is a special dog, a cute
Laura says: “Writer/director Ki-duk Kim has created a quiet, pensive reflection on two unhappy people who connect via horrific acts of self-mutilation. While not for all tastes, THE ISLE is a compelling meditation, although unravelling its mysteries may require multiple
Michael says: “JAPÓN is a bold and audacious first film from Mexican director Carlos Reygadas. There is an undeniable power in its imagery and its worldview, both beautiful and brutal. Yet for a first film, it also plays a little
Esme says: “Okay, holy Christ, IRREVERSIBLE was b r u t a l. If you can survive the first couple of scenes (incredibly, it gets gentler, sweeter and lighter as it goes backwards), this is a really interesting movie. I
Esme says: “INTACTO was great. I really like this movie. It is a well-acted, under-dramatized sort of movie that they will probably try to ruin and remake in America with Bridget Fonda as the female detective, a la LA FEMME
Howard says: “There is a point in INTOLERABLE CRUELTY where George Clooney is giving a keynote speech professing his love that is long enough to make you suspect the Coen brothers have ‘sold out’ into schmaltz. Wrong! The film, in
Laura says: “Kudlacek begins her film with Mekas holding film cans marked Deren, declaring them the ‘holy grail of cinema – we don’t know what’s inside,’ before beginning a journey that details Deren’s Russian Jewish roots, influences, lovers, colleagues, travels,
Laura says: “This small BBC film, adapted from One Hundred and One Dalmatians author Dodie Smith’s novel, immerses its audience into another time and place just like a good read on a rainy day. Director Tim Fywell (TV’s ‘Norma Jean
Diane says: “I’m on a mainstream roll! HOUSE OF SAND AND FOG is a five-cat book, and here not reduced too awfully much in its film version. Ben Kingsley is perfect as Colonel Behrani, the exiled Iranian trying to recoup
Hilary says: “Only a few scenes into THE HOURS I found myself wishing I could start the film over and view it without the Philip Glass score. The score was used in a heavy-handed fashion, cueing the viewer to the