Bruce says: “Every so often a film comes along that soars above others in its genre. Whether you categorize INFERNAL AFFAIRS as a thriller, action film or crime drama, it soars. Some critics bill this as a good cop/bad cop
Chris says: “INCIDENT AT LOCH NESS is a clever, often side-splitting little film. The less said about what it’s about, the better. All you need to know is that its lead ‘character’ is the always intriguing Werner Herzog, and it
Tom says: “I am a big fan of both Pixar and Brad Bird’s feature-film debut (and what I consider to be America’s best animated film) THE IRON GIANT, so I was as excited as could be when I heard Pixar
Bruce says: “Once known as the Paris of the Middle East, Beirut was ultimately reduced to rubble by fighting that began in the mid 70’s and continued for at least a decade. People went about their business during the day;
Bruce says: “Which are your most memorable glamorous First Ladies? Eva Peron, Jackie Kennedy, Dewi Sukarno, Madame Chaing-Kai-Chek? These are all women of great beauty and style, who also happened to be extremely well-educated, very intelligent and had an incredible
Bruce says: “ILL FATED, a very black tragicomedy, is clever enough to make an audience laugh and I admit I was laughing along with the others. But my laughter made me feel a bit dirty and somewhat of a lesser
Bruce says: “My memories of Gabriele Salvatore’s MEDITERRANEO are hazy but my feelings about it remain perfectly clear. I wasn’t wild about it. It felt glossy and superficial. While Salvatore’s I’M NOT SCARED is an improvement, I’m still not a
Bruce says: “I LIKE KILLING FLIES is an engaging character study. Kenny Shopsin is an original. He is never without an opinion or ever at a loss for words. He refers to himself as an endangered species, a closet intellectual.
Hukkle (Hungary; 75 min.) directed by: György Pálfistarring: Ferenc Bandi; Józsefné Rácz; József Forkas Bruce says: “HUKKLE has its own personality. In giving equal time to plants, animals, sounds, architectural details and humans György Pálfi has achieved something remarkable
Chris says: Pretty audacious for a studio comedy, even if it’s technically an indie studio. David O. Russell’s existential romp is a love-it-or-hate-it receptacle if I ever saw one. I loved it, but I’m skeptical as to how much it’ll