Chadd says: “‘SAW has had a fairly good marketing campaign because of its distribution. One of the tag-lines to this marketing was the favorable comparison to the David Fincher film SEVEN. SEVEN happens to encapsulate all that I enjoy about
Bruce says: “This film is wildly innovative and original, a stunning success creatively speaking. It is unique. Filmed in fuzzy sepia and silver tones for the most part, the film lapses into moments of strange color, the returns to the
Diane says: “I was horrified that this was at an indie festival–and a packed house! Starts as a sophomoric satire of born-again Christians, ends spouting a platitudinous Christian message. This was at Sundance?! The Slant reviewer wrote: ‘An early contender
Barbara says: “I think this is worth seeing. The four stories all have a connection to robots or robotics and are each focused on a strong emotion. ‘My Robot Baby’ recalls a turbulent childhood. ‘Robot Fixer’ deals with a mother
Chris says: “In this modern-day take on Verdi’s 16th century opera ‘Rigoletto.’ Rick O’Lette (Bill Pullman) is a rotten jerk of a corporate middle manager. He has an even more obnoxious boss half his age (Aaron Stanford) who unknowingly pursues
Bruce says: “In sociology, one must be interested in society. That is what Karim (Karim Tarek), a straight man living with his girlfriend Sihem (Sihem Benamoune), thinks as he chooses North African gay men as a topic for his video
Bruce says: “When a child asks the question, ‘Where did you come from,’ it usually refers to a new arrival in the family that the stork has recently delivered. In THE RETURN when Vanya, the younger of two brothers, asks
Bruce says: “Some movies just rub you the wrong way. RED LIGHTS did that to me. Let me outline the plot. Antoine (Jean-Pierre Darroussin), a French milquetoast of a man who works in insurance, is married to Hélène (Carole Bouquet)
Michael says: “Superficially, RECONSTRUCTION is a tale of two couples, and the adultery that occurs between two of them. Alex is in a pleasant relationship with Simone, and while she loves him dearly, he never seems to want to say
Ron says: “The revolution is my boyfriend: Gay cinema’s rude boy Bruce LaBruce was surprised when his film THE RASPBERRY REICH was accepted for Sundance. I thought it would be a hoot to see a LaBruce film that was a