Bruce says: “Mickey Rourke fans and/or BARFLY fans should probably stay away from this film. Both BARFLY and FACTOTUM are based on the autobiographical novel penned by poet Charles Bukowski. FACTORUM traces the drinking marathons and sexual escapades of Henry/Hank
Chris says: “Here’s an early candidate for next year’s Buried Treasure award: this engaging black-and-white Mexican indie is about two fourteen-year-old best friends, Flama (Daniel Miranda) and Moko (Diego Catano). On one Sunday afternoon, they have Flama’s mother’s apartment to
Bruce says: “Although I did laugh several times at the campy one-liners that one would expect more from a US sitcom than an Icelandic feature film, ELEVEN MEN OUT is just not very good. Ottar (Björn Hlynur Haraldsson) is a
Bruce says: “If you have a taste for the bizarre, then this is a film for you. Matthew Barney (CREMASTER CYCLE) is known for his outrageous stories and his ability to dazzle visually. Barney’s craft is as likely to be
Bruce says: “THE DEVIL WEARS PRADA is an ugly duckling comedy set in the vacuous milieu of the New York and Paris fashion industries. What makes fashion a great comedic subject is the exaggerated importance and sense of purpose the
Michael says: “Wim Wenders’ latest film based on a play by Sam Shepard relies a little too much on forced whimsy to be truly successful. When an aging matinee idol discovers that he fathered a child years ago, he returns
Bruce says: “Adapted from the critically acclaimed Hong Kong film INFERNAL AFFAIRS, THE DEPARTED is fairly faithful to its source. The wonderful, intricate plot remains intact – a mole from the local mobsters has infiltrated the police force and a
Michael says: “I’m quite disappointed that Amy Berg’s powerful documentary DELIVER US FROM EVIL received such an abbreviated release this year (in Boston anyway) so that most of us didn’t get to see it. In her first feature film, Berg
Bruce says: “THE DECAY OF FICTION is an original. In spirit, it is more akin to GOODBYE, DRAGON INN than any other film that comes to mind; the films of Guy Maddin are closest in style. It is impossible to
Bruce says: “Dante Remus Lazarescu (Ion Fiscuteanu) wakes up one morning with a splitting headache and severe nausea. A widower for ten years, he is now alone since his daughter has left Romania, emigrating to Canada. Living with three cats