Michael says: “This delightful French sex farce from the director of THE ADVENTURES OF FELIX, is a pleasure from start to finish. Mark and Béatrix are spending a summer in their seaside villa in Italy with their two teenaged children.
Michael says: “I try to see any film that Carmen Maura appears in that is released in the States. I still think Pedro Almodóvar’s best films were during the Carmen Maura period. Carmen has done some mediocre films since she
Michael says: “Scot and I got passes to a special sneak preview of the much-anticipated THE CHRONICLES OF NARNIA: THE LION, THE WITCH & THE WARDROBE, the film version of the first part of C.S. Lewis’ children’s fantasy series. There
Michael says: “After Eric Jausseran’s ‘performance’ at the 11th Annual Chlotrudis Awards last March, I had to give Christophe Barristier’s THE CHORUS a try. Unfortunately, the little I expected from this treacly, sentimental French drama came to pass. A successful
Michael says: “In what was surprisingly a disappointing film at the Festival (not because it was bad, but because of what McKellar has already produced), CHILDSTAR is the second film written and directed by Canadian talent Don McKellar after the
Michael says: “CATERINA IN THE BIG CITY is a sweet little Italian coming-of-age film about a young girl, Caterina, who moves with her parents from a small village in Italy to Rome. In school, she finds herself torn between two
Diane says: “Caught this newAndré Téchiné film at the Boston Museum of Fine Arts French Film Festival. Gerard Depardieu is a well-to-do French businessman overseeing construction in Tangiers, where, coincidentally, the love of his youth and of his life (Catherine
Michael says: “If I were casting the role of Truman Capote, author of that seminal work of non-fiction, In Cold Blood, Philip Seymour Hoffman is not the first name that would have popped into my head. Fortunately, three high school
Michael says: “Susanne Bier made a splash among Chlotrudis members with 2002’s OPEN HEARTS. In BROTHERS she creates a situation involving Michael (Ulrich Thomsen), a major in the Danish army who is being sent to Afghanistan as part of a
Bruce says: “CAFÉ LUMIÈRE is Hou Hsaio-hsien’s tribute to Yasujiro Ozu, the Japanese master whose films are noted for their breathtaking beauty and their gentle narrative of everyday life. Ozu’s great attentions to the details of the environment his characters
