Bruce says: “GABRIELLE is based on Joseph Conrad’s short story ‘The Return’ considered an anomaly by anyone familiar with his works of fiction, which mostly depict various aspects of adventurous seafaring life and occasionally take jabs at European imperialism. Conrad
Bruce says: “THE FOUNTAIN, a barely likeable film, is an overly ambitious opus about love and death that takes place in the past, the present and future. Hugh Jackman and Rachel Weisz play Isabel and Tomas in the days of
Michael says: “FREE ZONE is Amos Gitai’s latest film, illuminating life in Israel and all its strife from a decidedly female point of view. The story revolves around three women, an Israeli, an American living in Israel, and a Palestinian
Bruce says: “Ralph Arlyck made a fifteen minute short film in 1969 called SEAN. The film was an interview with year old Sean Farrell. It screened with François Truffaut’s L’ENFANT SAUVAGE and Arlyck proudly displays a congratulatory note he received
Bruce says: “I happen to respect Clint Eastwood as a filmmaker. LETTERS FROM IWO JIMA is nothing short of magnificent. While my expectations were low going into FLAGS OF OUR FATHERS, I was not fully prepared in spite of all
Bruce says: “This enjoyable film follows a group of young men who eschew the gangster life of the favelas (slums) of Rio de Janeiro by turning to music instead of crime. FAVELA RISING is a good companion piece to BUS
Michael says: “Our next film picked up on some of the bible-belt conflicts, but wrapped them in a teen comedy with a gay twist. FAT GIRLS is the directorial debut of 21-year-old, Texasn, Ash Christian. This refreshing tale may seem
Bruce says: “Being a fan of Eric Schlosser’s Fast Food Nation, I was looking forward to Richard Linklater’s fictionalized version of Schlosser’s multiple exposés of the fast food industry, the Colorado meat packing industry, and the US immigration policies (or
Bruce says: “Campaigning against the Shining Path terrorists, Alberto Fujimori abolished congress, and created a court system in which enemies of the state were tried and sentenced by hooded judges. In a matter of months Fujimori transformed Peru from a
Bruce says: “Daniel Burman’s FAMILY LAW is the third film in a trilogy about the meaning of family. In each film (WAITING FOR THE MESSIAH and LOST EMBRACE were the first two) a young man named Ariel (Daniel Hendler) is