Michael says: “Continuing the trend of political or socially conscious films, the Canadian team of writer Naomi Klein and director Avi Lewis (both political activists – Klein appeared in THE CORPORATION) offer their first documentary, THE TAKE. This sometimes powerful,
Michael says: “I am a fan of the Asian ‘hair horror’ genre kicked off so wonderfully several years ago by RINGU. Strangely enough, so does the American movie market. A TALE OF TWO SISTERS is a Korean entry into the
Bruce says: “As political documentaries go STATE OF FEAR is absolutely compelling and nearly perfect. Using the twenty year reign of terror in Peru from 1980-2000, director Pamela Yates explores how terrorism in Peru led to the erosion of democracy.
Bruce says: “Robert Gordon who has worked with Eggleston for many years, edited over 30 hours of film into a 76 minute film. The footage Gordon edited is the only non-still photography that Eggleston has taken on. He passionately pursued
Michael says: “Noah Baumbach’s look at an intellectual family coming apart at the seams is funny and mildly horrifying at the same time. Jeff Daniels and Laura Linney play a pair of authors with two children. Daniels’ Bernard Berkham is
Bruce says: “SOMEONE ELSE’S HAPPINESS is a story of loss, guilt and suspicion. The opening shots are gorgeous; a sudden thud is heard and the camera pans to a child who is struggling to get up alongside a road but
Michael says: “SKY BLUE is a bit of South Korean anime that fails (for the most part) visually, and fails bigtime in terms of story. It’s funny that I wasn’t expecting an anime film to fall prey to the utterly
Hilary says: “If you’re looking for pure big-screen entertainment and don’t mind violence, however cartoonish and hyperbolic, check out SIN CITY. “This flick appeals to both my inner film noir nerd and affection for comic book/graphic novel adaptations. I do
Chris says: “Why, why, why do I get all hyped up about adaptations of my favorite books, since they rarely turn out well? Steve Martin’s novella surprised me, not only by being so unexpectedly bittersweet, but also in the way
Chris says: “The first film I saw [at the Toronto International Film Festival] was one of the very best, so good that I worried it would set an impossible standard for the rest of the festival. Set in the Chinese