Beth says: “Guy Maddin. His latest, a semi-autobiographical silent film, with a live musical accompaniment, a narrator and a foley effects crew. Pretty much unmissable, really, even if I don’t always get Maddin – I love silent films shown with
Bruce says: “As the camera pans over acts of violence, serene countrysides or samples of everyday life in Israel, a written paragraph prefaces each BLOOD AND TEARS chapter. Covering the battle between Israelis and Palestinians, starting with the Turkish and
Chris says: “Markie Hancock’s middle-class childhood in Altoona, PA was typical in every way except for one: she was raised as a Fundamentalist Christian. Later, as an adult, she came out as a lesbian and renounced her faith. This documentary
Bruce says: “Having seen STATE OF FEAR and THE FALL OF FUJIMORI, the political background of BLACK BUTTERFLY was infinitely more understandable than it might otherwise have been. Those films chronicled the Fujimori presidency and its gradual phasing into a
Jason says: “Takashi Miike showed down a bit a couple years ago to take a stab at doing a big-budget family movie, but since then he’s gotten back to what passes for normal where he’s concerned: Churning out movies at
Bruce says: “Billo (Thierno Thiam), a young man from Senegal, has wanted to be a fashion designer since he was a small child put to work in his uncle’s garment business. He and his mother have always been the black
Bruce says: “‘The films you care about are the ones you make with a lot of love and not much money,’ claims director Michael Caton-Jones. BEYOND THE GATES was made in six months for $3 million Euros. The film has
Bruce says: “In a film career that has spanned eight decades de Oliviera has made forty two films. He has completed at least one film every year since 1990 when he was only 82. The 98 year old director of
Bruce says: “Ventura Pons (BELOVED/FRIEND, FOOD OF LOVE) is noted for his melodramatic, comic films which often have gay themes. BARCELONA (A MAP), a venture into more traditional heterosexual dramatic content, is a slight departure although it is stylistically consistent
Bruce says: “A few weeks ago the producer of BELLA, an independent film that opened at the same time as BEFORE THE DEVIL KNOWS YOU’RE DEAD, sent out an email chain letter that was a rant against Lumet’s film, a