Michael says: “Alejandro González Iñárritu’s third feature to be released in the U.S. is a sprawling mess with a lot of intriguing ideas, but with way too much story for one film. It’s also a film with a message, and
Bruce says: “ARRIVEDERCI AMORE, CIAO has an English title, THE DEADLY KISS, that describes nothing contextual about the film, whereas the Italian title relates perfectly to the story. In THE BEST OF YOUTH Alessio Boni was extremely vulnerable and devastatingly
Hilary says: “Director Terry Zwigoff’s and graphic novelist Daniel Clowes’ latest collaboration is a string of character sketches strung out with a third-rate CSI-style script. Max Minghella, the second coming of Mark Ruffalo, is all delicate features and doe eyes
Bruce says: “Sponsored by the Guerilla News Network AMERICAN BLACKOUT is a film that every person should see. That is not very likely since many distributors have already backed out of deals at the last moment. In an age where
Michael says: “Jessica Sanders’ AFTER INNOCENCE is an emotional and inspirational documentary about men who were wrongfully convicted of horrific crimes, then exonerated 15 – 20 years later due to the emergence of DNA testing. The horror of being innocent
Bruce says: “**Spoilers** “The idea of seeing someone else’s home movies may be appealing if the ‘someone else’ is a good friend, but much less so if the films belong to a stranger. There are exceptions such as TARNATION and
Michael says: “Actor Craig Chester (GRIEF, SWOON, I SHOT ANDY WARHOL) wrote and directed his first feature film, a broad romantic comedy where the two protagonists are both men. What could have been sweet, and comfortably mainstream like the films
Bruce says: “Tony is a kid from the East End, once a rough-and-tumble section of London, now home to many immigrants from Africa and Asia. Jackie, Sue and Lynn hail from similar backgrounds. Simon and Paul were living in a
Chris says: “This is one of the strangest films I’ve ever seen (and if you know me, that’s saying something). 4 begins with a piano-tuner, a prostitute, and a slaughterhouse worker. Strangers to each other, they meet in a Moscow
Bruce says: “Judging the merits of a documentary can be daunting. Has the filmmaker made a focused statement? Does the film develop a mosaic based on a topic or theme? What about the truth – should the filmmaker be bound