Michael says: “This past week at the Sunday Eye Opener, we got to act as a bit of an informal test screening audience for a new film called COLMA: THE MUSICAL. I was contacted by the film’s distributor, Eric d’Arbeloff,
Beth says: “This film received low ratings on netflix, rotton tomatoes, and metacritic (~60%). But I really liked it. This film is a about a friendship between two young adult women, Mirit (Neama Shendar) and Smadar (Smadar Sayar), fulfilling their
Bruce says: “The subject of CHINA BLUE is the denim industry in China. Less than twenty years ago it was not possible for those living in rural areas to migrate to cities where work in factories was plentiful. The Chinese
Bruce says: “While I enjoyed DISTANT, Celylan’s last film, I found its many flaws curbed my enthusiasm. I have not seen Ceylan’s earlier films so I have no way of knowing whether there was ever an inkling of such an
Bruce says: “CHARLIE WILSON’S WAR is not a film I was looking forward to seeing. To my surprise it was my favorite among the Hollywood year-end fare. Had I thought it through I might have not been so surprised. After
Michael says: “Most filmmakers should be so lucky to come across Jimmy Mirikitani, an elderly Japanese-American man who was living on the streets of lower Manhattan in 2001. A self-proclaimed ‘Grand Master’ of an artist (with the work to back
Bruce says: “In the 70’s Argentina had a Dirty War. Those who criticized or opposed the government were frequently disappeared. Over 30,000 missing persons have been reported. What is lesser known is many of the women captured during that time
Bruce says: “Having loved Eytan Fox’s last film, WALK ON WATER, I greeted THE BUBBLE with great enthusiasm. I was hoping for a masterpiece. That clearly is not the case. In spite of examining up-to-the-minute issues Fox has made a
Chris says: “Here’s a tale we’ve heard before: Nora (Parker Posey), a woman in her mid-30’s, is in pre-midlife crisis mode. Her administrative hotel job neither challenges nor fulfills her and she has yet to truly fall in love. Substitute
Bruce says: “It’s hard to image how a film with so much potential could leave one feeling totally empty but Anthony Minghella’s flat, soulless BREAKING AND ENTERING does just that. Minghella’s script is the basic problem. It is obvious where