Bruce says: “THE DEVIL WEARS PRADA is an ugly duckling comedy set in the vacuous milieu of the New York and Paris fashion industries. What makes fashion a great comedic subject is the exaggerated importance and sense of purpose the
Michael says: “Wim Wenders’ latest film based on a play by Sam Shepard relies a little too much on forced whimsy to be truly successful. When an aging matinee idol discovers that he fathered a child years ago, he returns
Bruce says: “Adapted from the critically acclaimed Hong Kong film INFERNAL AFFAIRS, THE DEPARTED is fairly faithful to its source. The wonderful, intricate plot remains intact – a mole from the local mobsters has infiltrated the police force and a
Michael says: “I’m quite disappointed that Amy Berg’s powerful documentary DELIVER US FROM EVIL received such an abbreviated release this year (in Boston anyway) so that most of us didn’t get to see it. In her first feature film, Berg
Bruce says: “THE DECAY OF FICTION is an original. In spirit, it is more akin to GOODBYE, DRAGON INN than any other film that comes to mind; the films of Guy Maddin are closest in style. It is impossible to
Bruce says: “Dante Remus Lazarescu (Ion Fiscuteanu) wakes up one morning with a splitting headache and severe nausea. A widower for ten years, he is now alone since his daughter has left Romania, emigrating to Canada. Living with three cats
Michael says: “Sigh. Mockumentaries that are also satires are very difficult to pull off. Over the years, Christopher Guest has mastered the art, but with CSA: THE CONFEDERATE STATES OF AMERICA, director Kevin Willmott tries to have his cake (satiric
Bruce says: “DAY BREAK (DAME SOBH is the film’s Persian title) is the film I most liked at the 2006 Tribeca Film Festival. Happily, I have noticed that DAY BREAK and FAMILIA (my favorite film from the 2005 Toronto International
Michael says: “The best thing I can say about DOUCHES FROIDES, my first film at the Toronto International Film Festival, is that it was all up from there. I was skeptical before I went, just looking at the image from
Michael says: “Hans Canosa’s second feature film (the first being ALMA MATER, which I had never heard of) is a two-person piece about a formerly married couple who haven’t seen each other in many years, then re-connect at a wedding.