Bruce says: “This coming of age story features Chlotrudis award winning actress Marilou Berry as Hannah Goldman, an ugly duckling with two older, attractive sisters. Like the character Berry played in LOOK AT ME, Hannah does not know how to
TC says: “FIERCE PEOPLEhas taken a long, roundabout road to the big screen. Filmed in 2004, and having premiered at the 2005 Tribeca Film Festival in New York, it has been this close to release several times since then, only
Beth says: “This was my first Canadian film. Apparently it was the largest budgeted independent film made in British Columbia, who’da thunk a ‘boy and his pet zombie’ flick would have that distinction. Anyhoo, yup it’s a zombie film, in
Bruce says: “Beirut was once known as the Paris of the Middle East. Now, partly in ruins, Beirut is missing the tourists but the joie de vive still survives. FALAFEL explores the city through the wanderings of three friends during
Michael says: “At certain points throughout FAY GRIM, the latest film by Chlotrudis Award winner Hal Hartley, particularly as the screen went black and the credits began to roll, a little thrill of excitement skittered down my spine. It’s the
Barbara says: “FACTORY GIRL outlines the bizarre and very sad life of Edie Sedgewick and her relationship with Andy Warhol whose ‘genius’ is surpassed by his meanness. Though the movies leaves you with a ‘What a waste of lives’ feeling,
Jason says: “EVERYBODY WANTS TO BE ITALIAN is a delightfully slight romantic comedy. The film has a cute hook but isn’t held hostage by it, there are only one or two characters who aren’t at least occasionally funny, and the
Michael says: “One of the things I love about the Chlotrudis/Brattle co-presented Sunday Eye Opener series is that it gives me the opportunity to see films I would never select on my own. Johnnie To’s EXILED is one such film.
Bruce says: “Aside from two or three lovely moments, EUPHORIA is a rather grim and dreary film. Filmed on the steppes of Russia, the terrain is bleak and the story, bleaker. After meeting Vera at a wedding months earlier, Pavel
Michael says: “Who can resist Cate Blanchett, royal, imperious, hair unbound, clad in armor, riding on a white horse? Apparently not me, as I went to see ELIZABETH: THE GOLDEN AGE on opening weekend. I enjoyed ELIZABETH, one of Blanchett’s