Michael says: “GREAT NEW WONDERFUL is being billed as a 9/11 comedy, and the film is funny, and is also tangentially about the events of September 11, 2001, but for me this film falls squarely into the category of drama
Michael says: “This brief documentary takes a look at a very delineated period of time; when gay men embraced their sexuality with relish. This era begins with the Stonewall riots in 1967 and ends with the coming of A.I.D.S. in
Bruce says: “Unlike most gay coming of age stories, GARÇON STUPIDE is not concerned with a sexual identity crisis or gaining acceptance about being gay. Loïc (Pierre Chatagny), a twenty year old Swiss boy loves the fact that he is
Bruce says: “Friends or acquaintances often groan when the topic of French cinema is raised. I’m mostly puzzled by anyone who categorically dismisses French cinema. GARDENS IN AUTUMN is a film which helps me understand that position. Director Iosseliani has
Michael says: “This quirky film is reminiscent one of production team Griffin Dunne and Amy Robinson’s earlier collaborations, AFTER HOURS. Director Hoffman takes a darkly humorous look at the world of theater and the passion of the Boston Red Sox
Michael says: “I really enjoy Nicole Holofcener’s films. Beginning with the brilliant WALKING & TALKING, and LOVELY & AMAZING I find it so delightfully refreshing to see smart films written and directed by a woman, focusing on women, and with
Bruce says: “GABRIELLE is based on Joseph Conrad’s short story ‘The Return’ considered an anomaly by anyone familiar with his works of fiction, which mostly depict various aspects of adventurous seafaring life and occasionally take jabs at European imperialism. Conrad
Bruce says: “THE FOUNTAIN, a barely likeable film, is an overly ambitious opus about love and death that takes place in the past, the present and future. Hugh Jackman and Rachel Weisz play Isabel and Tomas in the days of
Michael says: “FREE ZONE is Amos Gitai’s latest film, illuminating life in Israel and all its strife from a decidedly female point of view. The story revolves around three women, an Israeli, an American living in Israel, and a Palestinian
Bruce says: “Ralph Arlyck made a fifteen minute short film in 1969 called SEAN. The film was an interview with year old Sean Farrell. It screened with François Truffaut’s L’ENFANT SAUVAGE and Arlyck proudly displays a congratulatory note he received