Michael says: “Come on, wouldn’t you see this for the cast alone? Another film featuring a widowed academic in New York City, similar in gentle tone to THE VISITOR, but with a different look at the way we live our
Bruce says: “Just before Christmas, Lionel (Lionel Baier) discovers that his family tree has some Polish branches. Most people would find such information mildly interesting but Lionel is a man of extremes. Although he is openly gay, he dumps his
Jason says: “SPIRAL is about as thin as a feature film can be, to the point where I think that maybe there’s not a feature’s worth of material to it. I wonder if it wouldn’t drift into obscurity, even by festival-circuit
Michael says: “‘Well, that was something.’ “My words about SOUTHLAND TALES spoken to my Chlotrudis colleagues as we left the theatre. “‘Well, we saw it.’ “My final words about SOUTHLAND TALES as we broke up for the evening. “Chlotrudis members
Jay says: “Alan Rickman is an underappreciated treasure. It sounds like an odd thing to say, because he’s been a quite memorable part of some huge hits, but movies where he’s the feature attraction appear and disappear quickly and quietly
Bruce says: “Brillante Mendoza, director of MASSEUR which I saw at the 2004 Toronto International Film Festival, has come a long way in a few years. He still uses many untrained actors although the four leads in SLINGSHOT are actors
Bruce says: “In my opinion, there is no director making more visually stunning films than Tsai Ming-liang. I DON’T WANT TO SLEEP ALONE is a smashing example of a true master at work . Invariably, each scene in his new
Bruce says: “This psychological thriller was made for Australian TV and although it has some excellent performances, the overall effect is weakened by a slightly preposterous script and some overwrought dialogue. “Richard Treloar (Richard Roxburgh) has had a meltdown. During
Jason says: “Being a gangster sounds cool until you try to make a career out of it. Maybe the money’s okay, but the hours stink, it’s awkward when your daughter’s teacher asks you what you do for a living, and
Chris says: “To paraphrase an expression one of my colleagues loves to use, I am so over Michael Moore. His earlier movies and TV shows were amusing and unsettling in equal amounts, but he jumped the shark with FAHRENHEIT 911,