Michael says: “What a delightful evening in the Wintergarden theatre spent enjoying the world premiere of Guy Maddin’s pseudo-documentary MY WINNIPEG. Maddin was challenged by the Documentary channel to make a doc on his hometown of Winnipeg, and Maddin being
Bruce says: “Albert and David Maysles were trailblazers in documentary filmmaking. Their cinema verité style has been adopted by countless filmmakers laboring in their wake. GREY GARDENS, voted as the #1 Documentary Film among Chlotrudis members, is one of the
Jason says: “Music doesn’t interest me nearly as much as movies do, and I grew up on the East Coast besides, so it’s not exactly surprising that I’d never heard of short-lived (but apparently influential) Los Angeles punk band The
Bruce says: “WHITE NIGHT WEDDING is loosely based on Chekhov’s little-known, first full length play, Ivanov. Jon (Hilmir Snær Guðnason) is a local professor who bought a house on Flatey Island, Iceland’s northernmost island, when his wife Anna was still
Michael says: “Based on the short film FAIRIES (which was entered into the Chlotrudis Short Film Festival a few years ago) WERE THE WORLD MINE focuses on Timothy a young gay high school student who, after winning the role of
Michael says: “This lovely French film dives deep into the world of adolescent girls and budding sexuality. Marie watches from the outside, while her friend Floriane, and the object of her desire, Anne, perform and compete in the world of
Bruce says: “Kelly Reichardt from the looks of things is the modern chronicler of quiet desperation. WENDY AND LUCY is similar in many ways to her critically acclaimed earlier work, OLD JOY. The story is sparse, almost non-existent. There are
Jason says: “Not really close to the thematic sequel to GROSSE POINTE BLANK that some are trying to paint it as, despite sharing John Cusack as a hitman and Joan Cusack and Dan Aykroyd in supporting roles. It’s an angrier
Michael says: “Just because a film’s subject matter is powerful doesn’t mean it will be well-executed. That was the situation I found with WALTZ WITH BASHIR, Ari Folman’s acclaimed, animated documentary that details the director’s quest to uncover his repressed
Bruce says: “W. works as a conversation piece; were the film hilarious, educational or consciousness raising in any way, it would have redeeming qualities. There is no apparent reason to make such a film and no reason to see it.