Michael says: “Based on the short film FAIRIES (which was entered into the Chlotrudis Short Film Festival a few years ago) WERE THE WORLD MINE focuses on Timothy a young gay high school student who, after winning the role of
Michael says: “This lovely French film dives deep into the world of adolescent girls and budding sexuality. Marie watches from the outside, while her friend Floriane, and the object of her desire, Anne, perform and compete in the world of
Bruce says: “Kelly Reichardt from the looks of things is the modern chronicler of quiet desperation. WENDY AND LUCY is similar in many ways to her critically acclaimed earlier work, OLD JOY. The story is sparse, almost non-existent. There are
Jason says: “Not really close to the thematic sequel to GROSSE POINTE BLANK that some are trying to paint it as, despite sharing John Cusack as a hitman and Joan Cusack and Dan Aykroyd in supporting roles. It’s an angrier
Michael says: “Just because a film’s subject matter is powerful doesn’t mean it will be well-executed. That was the situation I found with WALTZ WITH BASHIR, Ari Folman’s acclaimed, animated documentary that details the director’s quest to uncover his repressed
Bruce says: “W. works as a conversation piece; were the film hilarious, educational or consciousness raising in any way, it would have redeeming qualities. There is no apparent reason to make such a film and no reason to see it.
Michael says: “THE STATION AGENT was no fluke. Thomas McCarthy has delivered a sophomore effort that holds the possibly fleeting distinction of my favorite film of the festival so far. THE VISITOR is a ’cause’ film, focusing on the tragic
Bruce says: “Two girls are invited to Barcelona to spend July and August with friends Judy and Mark Nash (Patricia Clarkson and Kevin Dunn). Vicky (Rebecca Hall), whose fiancée is staying behind in New York, is working on a thesis
Bruce says: “It is hard to believe that a simple kid from an ordinary all-American middle class family in Kutztown, PA could be considered one of the great artists of his time. Keith Haring visually defined his generation ,creating a
Jason says: “VEXILLE has taught me not to complain about Hollywood productions that spend ‘too much’ on visual effects or expensive animation. As much as VEXILLE might have still been a mediocre action movie if an American-sized budget had been