Bruce says: “This film began as a commission from the Musée d’Orsay and then evolved into a different animal from what had originally been envisioned. By the time the film was made the relationship with the d’Orsay evaporated. Hard-core Assayas
Michael says: “SUNSHINE CLEANING is a nice movie. It features some terrific, heartfelt performances, and a script that is as unconventional at times as it is cliché at others. Rose and Norah are sisters who need jobs. Rose has a
Diane says: “Loved SUGAR. More kudos to that fab filmmaking duo, Boden-Fleck. SUGAR is beautifully filmed and edited. Every shot has an emotion underlying it. This baseball ignoramus was able to get the story completely. My only complaint: I thought
Suck (Canada) directed by: Rob Stefaniuk starring: Malcolm McDowell; Dave Foley; Jessica Paré; Nicole de Boer; Henry Rollins; Iggy Pop; Alice Cooper; Moby Thom says: “Another lackluster Canadian entry this one about a touring rock ‘n roll band will
Jason says: “Among my moviegoing friends, I have gained a not-undeserved reputation for lacking patience with French dysfunctional family dramas. I contend that this is a bit unfair; while I did, in fact, bang my head against the back of
Jason says: “The recording studio that occupies a fair-sized chunk of Bill Withers’s Los Angeles home in STILL BILL is a tremendous tease. It’s new-looking, with plenty of digital tools, which certainly suggests that the man behind ‘Lean on Me’
Diane says: “Awesome. I grew up with STAR TREK and found this film very satisfying. Impressed with art director’s restraint in keeping the futuristic look developed in the 1960s, and with the graphics of the black holes. Nice touch to
Jason says: “The ‘mumblecore’ generation is, perhaps, starting to get interesting. Digital video is both good and cheap enough that these movies no longer default to looking like a muddy mess. More importantly, the characters are starting to feel much
Jason says: “Apparently ‘splinterheads’ are a subset of what I’ve always thought of as ‘carnies,’ but that’s apparently like calling a sailor, Marine, or airman a ‘soldier’ – outsiders may think it’s close enough, but in actuality it’s not. Carnies
Diane says: “I love many of Iranian filmmaker Majid Majidi’s films (CHILDREN OF HEAVEN, BARAN, WILLOW TREE, COLOR OF PARADISE) for their gentle recognition of the beauty inherent in life. SONG OF SPARROWS, however, is so driven by its morality