Michael says: “Beautifully shot in black & white, Shane Meadows’ (THIS IS ENGLAND) latest film SOMERS TOWN is a sly look at two teenagers who become friends in working class London. Marek has recently arrived from Easter Europe and spends
Jason says: “There have been many sequences in movies where someone loses his or her job, but few have been so callously cruel as the one that opens TOKYO SONATA: A pretty girl walks through an office, drawing all eyes.
Thom says: “This is one of those big-budget extravaganza & fantasy creation that is beautifully done with lovely images of creatures from lost worlds. The time is the 1500s and our hero Kane has to fight pure evil to overcome
Jason says: “Science fiction on film is tricky. The money to do spectacle generally comes with strings attached, but without it, a filmmaker runs the risk of having their world look unconvincing or settling for using their big ideas to
Jason says: “The appeal of the deliberately shoddy homage continues to elude me, even when I find something to enjoy in one, as I did with SMASH CUT. Wouldn’t it be a finer tribute to take what you learned from,
Jason says: “I have more or less ignored BROKEN LIZARD for what are pretty stupid reasons: The trailers for SUPER TROOPERS didn’t amuse me and it later became a movie much-loved by people who were fans of comedies I disliked.
Jason says: “SLAM-BANG is, as the director pointed out several times during the introduction and Q&A, a notable movie for being a bit of pulp action made independently in South Africa. It is apparently very difficult to get a film
Jason says: “The laws of nature and the laws of man are almost entirely different beasts. The former are relatively few, and constant, but allow for great complexity and variety; they say what can happen. The latter multiply continually, but
Jason says: “There’s no such thing as bad publicity. SITA SINGS THE BLUES is an extraordinary independent animated film, and while those are far from a dime a dozen, they have a tough time getting distribution and attention. Even with
Michael says: “Cary Fukunaga’s SIN NOMBRE won the best direction and best cinematography awards at this year’s Sundance Film Festival. The debut features a pair of excellent performances in the lead roles, Paulina Gaitain and Edgar Flores, a young Honduran