Bruce says: “You have to be a devotee of absurdist comedy to appreciate a film like LES HERBES FOLLES (now re-titled WILD GRASS for English audiences.) Similar in theme to HAPPENSTANCE, the Audrey Tatou vehicle prior to her success with
Jason says: “Making a good romantic comedy seems easy enough, in theory: Come up with some witty banter, figure out what makes the people delivering it interesting and likable, add a reason that they aren’t kissing by the end of
Jeff says: “In the end, how you will have come through this movie will depend on what you saw in a brief shot towards the beginning of the picture. Vero, a successful dentist in a rural Argentine town, fumbles for
Diane says: “Caught this at International Film Festival of Boston. A very funny, rambling story of one guy’s heartbreak, and the response of those around him. (Could he be compared to the Job of A SERIOUS MAN?) Justin Rice is
Bruce says: “In 1983 Bette Gordon was an underground artist who decided she could make as good a film as the next guy (let’s face it, there were few female filmmakers in 1983.) The result was the stunning VARIETY which
Jason says: “Tommy Fielding (Scott Porter) is a pretty good guy, especially considering he’s a Wall Street trader. He doesn’t overindulge; he isn’t pressuring his girlfriend Beth (Alexis Bledel) to have sex even though it’s been a couple months and
Bruce says: “Who would have guessed that the two stars of the 2001 film L.I.E., one a Scotsman and the other an American teenager, would end up eight years later working together in Iceland? Although Paul Dano (2008 Chlotrudis Award
Jason says: “Stieg Larsson’s ‘Millennium’ novels – all three published posthumously, and given names that begin The Girl Who… in the United States – are kind of a big deal. How can you tell? Well, the three movies with high
Jason says: “A few years ago, I saw a movie called A BITTERSWEET LIFE AT FANTASIA and loved it, saying it was the sort of action movie John Woo and Chow Yun-fat used to make before they came to Hollywood
Thom says: “Polanski, perhaps because of his continuing legal problems, is not the most prolific of world-class directors, but I’ve still managed to see 17 of his films. I loved his early oeuvre of KNIFE IN THE WATER, REPULSION, &