Chris says: “This is a first feature for director Tadjedin and it’s an assured debut although there’s not that much to it. The relationship drama centers on striking Joanna Reed (Knightley), a writer working on her 2nd novel, and her
Jason says: “LEGEND OF THE FIST: THE RETURN OF CHEN ZHEN starts off in a familiar way, with text explaining a bit of Chinese history, this time involving how Chinese laborers served in Europe during World War I. Most aren’t
Jason says: “KING OF DEVIL’S ISLAND opens with a whaling story, which it regularly returns to, but it isn’t immediately certain who the whale represents and who the whalers represent, even if the story is being told in the first
Jason says: “I’ll say this for Miguel Ángel Vivas: He is committed. He knows exactly what he wants to do with this movie – what sort of terror he wants to put the characters and audience through – and he
Thom says: “This had all the ingredients to be a perfect ‘classic’ film and it very nearly succeeded but for a nagging problem that wouldn’t go away for me. Director Fukunaga had brought us the impressive SIN NOMBRE and he
Diane says: “IRON LADY has been disparaged for giving an uncritical view of British Prime Minister Margaret Thatcher’s government. True, true! But we already have that down. I went to see IRON LADY for a portrayal of a woman with
Bruce says: “J. EDGAR is a curious film. Had it appeared a decade ago, the story of J. Edgar Hoover (Leonardo DiCaprio) and Clyde Tolson (Armie Hammer) would have no doubt been scandalous; today it seems as exciting as tepid
Thom says: “This stunning documentary follows a Texas death row inmate up to & shortly after his execution. One of the points that comes across the best is that the film never questions the guilt of the inmate. Herzog has
Diane says: “This docu about former gang members who work as peacemakers in Chicago is inspirational and sobering. The film follows three violence ‘interrupters’ who work for CeaseFire over the course of a year. They’re very different from each other