Jason says: “HOBO WITH A SHOTGUN arrives with one of the most straightforward, descriptive titles for an action movie since SNAKES ON A PLANE. That simplicity serves it fairly well; it’s exactly the sort of 1980s exploitation pastiche the name
Jason says: “Yoshihiro Nishimura’s HELLDRIVER is a Yoshihiro Nishimura film, and he doesn’t do things halfway. So how a person reacts to the opening scene (and, I presume, any preview they make for the movie) will likely serve as a
Michael says: “One of my favorite films at this year’s Provincetown International Film Festival was HIGHER GROUND, starring and directed by the charming and talented Vera Farmiga (UP IN THE AIR; DOWN TO THE BONE). HIGHER GROUND tackles the complex
Michael says: “Somehow I missed hearing about this film until it showed up last week at the Kendall Square Cinema, even though it played at the Boston French Film Festival. Not that I was surprised. THE HEDGEHOG is based on
Michael says: “Caught up with HEARTBEATS, Xavier Dolan’s follow-up to the Chlotrudis multiple-nominee, I KILLED MY MOTHER. Once again, Dolan writes, directs and stars, this time tackling the mysteries of love, particularly in the more modern age of fluid sexuality.
Bruce says: “The 2009 French film WELCOME, directed by Philippe Lioret, somehow escaped under the Chlotrudis radar in spite of having a limited release in May of 2010. WELCOME is a story about a man who becomes involved with the
Diane says: “Directed and written by John Michael McDonagh, writer of NED KELLY, but more importantly (don’t tell him I said that!), the brother of Martin McDonagh (IN BRUGES, plays The Cripple of Inishmaan and The Pillowman). “THE GUARD’s best
Jason says: “Ignore the first scene of this movie; it sets a tone and a theme that winds up being a relatively minor part of what follows. The remaining hour or so turns into something much more interesting than the
Jason says: “It’s a funny thing that the first live-action GANTZ film feels kind of old-school; considering that the director’s last project was a CGI feature, the original manga does not hide that it is produced with digital tools, and
Jason says: “THE FUTURE is kind of amazing, in its annoying little way. It finds the shortest possible path from its characters doing something nice to them being ridiculous and insufferable, and then spends the next hour or so finding