Thom says: “Quick, how many films have you seen from the Democratic Republic of the Congo? While this was a screener I had my doubts but the gigantic surprise that was awaiting me was all thrills. Because this was director
Thom says: “Over the years director Carpenter has certainly established some credibility in the B-movie category (HALLOWEEN (1978), ESCAPE FROM NEW YORK, THE FOG (1980), THE THING (1982), STARMAN) although in the past few years his reputation has slightly faltered.
Jason says: “As the English-language title suggests, TRUE LEGEND is based upon an actual historical figure, although I strongly suspect that he is, as they say, being ‘used fictitiously.’ After all, you don’t go to a Yuen Woo-ping movie for
Scot says: “TROLL HUNTER, released in 2010 in Norway but 2011 in the US, represents a fine evolution of the ‘found footage’ fictional narrative style most famously exploited by THE BLAIR WITCH PROJECT and PARANORMAL ACTIVITY. It’s not a new
Diane says: “More SIDEWAYS than MY DINNER WITH ANDRE, Michael Winterbottom’s THE TRIP has British actors Steve Coogan and Rob Brydon engaged in one-upmanship as they travel the North Country on a gastronomicaltour. The dialogue is not as profound or
Michael says: “When Kat and Vic, two old friends who performed together in a punk rock band twenty years ago are reunited, tensions are high, but so are the powerful memories of a strong bond that the two women shared.
Brett says: “Consistent garden imagery and images of ‘faded paradise’ as the eldest allows weeds to grow and so forth fit some really subtle Biblical tie-ins throughout. As far as the brothers, there is also an interesting ‘Am I my
Thom says: “I would love to know the story behind this film which was presented at TIFF 2011 at a Gala. Directed by Schumacher who is the director behind such largely mediocre product like FLAWLESS, ST. ELMO’S FIRE, THE LOST
Toni says: “I can understand why this film has garnered audience awards at Toronto, Melbourne, and Film Festival(s). Lynda and Jools Topp are as the title of the film and their song implies are in fact ‘untouchable girls.’ Lynda and
Chris says: “Many book-to-film adaptations fail because they aren’t faithful enough, but just as often they’re too literal to succeed as cinema. In struggling to capture a book’s essence, they adhere closely to what the prose dictates but subsequently feel