Thom says: “We can’t all be interested in everything, right? This documentary is the story of food clubs and farm co-operatives all over the United States that have been raided by local, state, and the federal government that reads more
Diane says: “I guess I heard about this doc on NPR, in the aftermath of the exotic animal incident in Ohio a few weeks ago. Tim Harrison runs an organization called Outreach for Animals. ELEPHANT is primarily the story of
Jason says: “I didn’t think much of the first REBUILD OF EVANGELION movie when I saw it a couple years ago, but there might have been mitigating circumstances – the version I saw was dubbed, and it was the first
Jason says: “Although ELEKTRA LUXX is being released in markets where WOMEN IN TROUBLE didn’t play theatrically, and you can probably follow along well enough without having seen the other one. And despite it picking up on threads from that
Diane says: “The good: Ryan Gosling, of course. I was with a dozen or so women friends recently, and Ryan Gosling was the one actor they could all agree on as someone they’d like to sleep with. Albert Brooks. What
Jason says: “You’d be forgiven for thinking that a movie taking place amid the inner circle of Saddam Hussein’s family over the past twenty-five years, and featuring the potential plot twists and mind-benders of look-alikes, would be something fairly exciting.
Jason says: “The craftsmanship of LEGEND OF THE MILLENNIUM DRAGON is remarkable; it’s the sort of animated feature where every cel is frame-worthy and the assembly into a moving picture is wonderfully fluid. Like many animated films of its type,
Jason says: “A colleague of mine described Kim Ji-woon’s last film, THE GOOD, THE BAD, THE WEIRD, as an attempt to make an action movie with nothing but the Good Parts. Kim brings that same attitude to I SAW THE
Jason says: “DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME hits a lot of my sweet spots – it can be described as a Chinese martial-arts take on Sherlock Holmes, with a blockbuster budget, Tsui Hark directing with abandon,
Jason says: “THE DESCENDANTS is, I suppose, a movie about trust and responsibility, although I’m not getting very far trying to boil it down to parallel situations and easy lessons. That’s okay, though; this lets director Alexander Payne put a