Michael says: “Caught up with HEARTBEATS, Xavier Dolan’s follow-up to the Chlotrudis multiple-nominee, I KILLED MY MOTHER. Once again, Dolan writes, directs and stars, this time tackling the mysteries of love, particularly in the more modern age of fluid sexuality.
Bruce says: “The 2009 French film WELCOME, directed by Philippe Lioret, somehow escaped under the Chlotrudis radar in spite of having a limited release in May of 2010. WELCOME is a story about a man who becomes involved with the
Diane says: “Directed and written by John Michael McDonagh, writer of NED KELLY, but more importantly (don’t tell him I said that!), the brother of Martin McDonagh (IN BRUGES, plays The Cripple of Inishmaan and The Pillowman). “THE GUARD’s best
Jason says: “Ignore the first scene of this movie; it sets a tone and a theme that winds up being a relatively minor part of what follows. The remaining hour or so turns into something much more interesting than the
Jason says: “It’s a funny thing that the first live-action GANTZ film feels kind of old-school; considering that the director’s last project was a CGI feature, the original manga does not hide that it is produced with digital tools, and
Jason says: “THE FUTURE is kind of amazing, in its annoying little way. It finds the shortest possible path from its characters doing something nice to them being ridiculous and insufferable, and then spends the next hour or so finding
Bruce says: “Make no mistakes, GAINSGOURG: JTAIME .MOI NON PLUS is no straightforward biopic. Rather than attack his subject conventionally, Joann Sfar is capricious and daring in his portraiture of Serge Gainsbourg. Sfar pages back and forth to Gainsbourgs childhood to
Jason says: “It’s not uncommon for critics to rate films they see at a festival a little higher than those they see elsewhere, in part because the discussions with the filmmakers afterward help forge a personal connection and often cast
Bruce says: “Cities have a way of defining themselves, adding up pieces the wholes of which greatly surpass the sums of their parts. FLORENT: QUEEN OF THE MEAT MARKET presents a case in point. Florent was not just another restaurant;
Thom says: “This film was a real find but it shouldn’t have been. Co-director Metzler had also co-directed one of my favorite documentaries PLAGUES AND PLEASURES ON THE SALTON SEA (2004) with Jeff Springer & I had shamefully forgotten that