Jason says: “The phrase ‘returning to the scene of the crime’ is generally used during the investigation of a mystery, but if you take a broader view of what the ‘scene’ is, almost every criminal does it eventually. It’s just
Michael says: “Peter Stormare gives a remarkably restrained performance as a small-town cop trying desperately not to give in to a violent past while investigating a local murder that touches close to home. Echoes of FARGO abound, in this economically
Jason says: “Believe it or not, two movies came out in Europe where the real Santa Claus was a murderous supernatural monster. Finland’s RARE EXPORTS zipped through the festival circuit and appeared in the U.S. at the same time it
Bruce says: “THE SKIN I LIVE IN is an adaptation of the French novel Mygale by Thierry Jonquet. Judging from what I have read about the novel, Almodóvar’s adaptation is a very loose one. For a decade I have wished
Jason says: “SILENT SOULS is an art-house movie, more obviously filled with more symbol than story; it’s deliberately oblique at times. In many cases, movies like that want more from their audiences than they’re willing to give, but this one
Michael says: “Michael Fassbender plays Brandon, a successful businessman who lacks any meaningful relationships due to his sexual addiction. His carefully constructed life is thrown into turmoil when his sister Sissy (Mulligan) returns. Despite some high profile awards and some
Jason says: “Benny Chan’s SHAOLIN is not a remake of any of the Shaw Brothers films that focused on that legendary temple and its monks (though only fifty-odd years gone at the time, Gordon Liu-starring movies like THE 36TH CHAMBER
Julie says: “Crazy good, darkish ? homegrown southern curio of a film. Interesting unfolding of events, several humorous moments, several bizarre moments, several poignant moments…in the end, sadly, I was left somewhat unsatisfied as if a piece or two to
Ibad says: “I’m fully aware that when someone like myself has been really hyping up a certain picture for a while…and they finally see it…and it turns out, surprise!, they’re in love with it, it almost seems forced if not
Diane says: “SENNA, a doc about Brazilian race car driver Ayrton Senna, is well-paced and has some pathos, but it isn’t very deep. One thing that makes it enjoyable is that Senna is awfully handsome. He was the pride of