Michael says: “Some strong performances and a naturally mystical setting can’t quite rise above a screenplay that is a little too new agey and coincidental to fully work as a film. Tammy (Fisher) is on her way to Phoenix to
Jason says: “I must admit – I’ve completely lost the ability to tell genuine evangelical Christianity from satire of the same. I say this not to disparage the people who find comfort and strength in their faith, just to point
Thom says: “Gus Van Sant has long been one of my favorite directors with his only real flop being EVEN COWGIRLS GET THE BLUES which he reportedly made during his period of being totally distraught after the tragic death of
Jason says: “It’s natural to be a little wary of RUBBER. It’s a movie made by a French musician that takes place in America, with a gonzo concept and an experimental execution; just looking at the description, the odds of
Jason says: “Early on in THE REEF, a character looking at a wall full of sharks’ jaws is told not to worry, because one is far more likely to die of a bee sting than a shark attack. A part
Michael says: “I was excited to get the opportunity to see RAPT, the latest directorial effort from Chlotrudis Award winner (and past guest) Lucas Belvaux at the Boston French Film Festival this past weekend. RAPT is a political thriller starring
Jason says: “RAMMBOCK is far enough outside what usually the parameters of what shows up on multiplex screens – a low-budget German horror movie so short that only an hour and fifteen minutes passes between the lights going down and
Jason says: “There should be more chess movies, although there are probably more than I think because I just haven’t gotten around to seeing many (I remember Siskel & Ebert raving about FRESH, but I missed it). It’s a game
Jason says: “PUNISHED levels with the audience pretty quickly, opening with two scenes that don’t say everything but make it clear that this movie is less about resolutions than the process of getting there. Later on, it spells out just
Jason says: “Congratulations, Usama Alshaibi. You’ve managed to make spiritualism, Islamic mythology, and kinky sex boring in one brief eighty-minute feature. That’s quite an impressive accomplishment, considering that most of the movie doesn’t seem interested in accomplishing much of anything.