Bruce says: “Credibility is hard to come by with a title JOE PAPP IN FIVE ACTS, knowing that a major portion of Joe Papp’s life, an act unto itself, was edited out of the film. Or worse, perhaps the filmmakers
Thom says: “The Duplass brothers continue to improve as filmmakers; from THE PUFFY CHAIR to BAGHEAD to CYRUS they’ve improved. This is a mostly successful independent comedy that has a good attitude and a lot of laughs. Jeff (Segel, also
Jason says: “I can’t say I’m a particular fan of sushi; in fact, I’m quite the culinary coward. But you don’t have to like a particular food to admire fine craftsmanship and dedication, and those are things that Jiro Ono
Jason says: “So, it looks like I’m going to have to start putting Jo Nesbø stuff in my Amazon basket, as any guy who comes up with the raw material for both this and HEADHUNTERS is my kind of darkly
Thom says: “Director Koreeda is a huge festival favorite having been lauded for such films as AFTER LIFE, NOBODY KNOWS, & STILL WALKING (already a part of the Criterion Collection). The story is reasonably simple here, but very sweet and
Bruce says: “****SPOILERS**** “This seems to be the season for wonderful, beautifully made films that cannot be recommended for everyone. Sparse in dialogue IT LOOKS PRETTY FROM A DISTANCE brings to mind disparate fare such as HUKKLE; GOODBYE, DRAGON INN;
Thom says: “This is your below average gay hard-core mumble core movie. Jess has lived in San Francisco for nearly a decade and his finances have got the better of him and he’s moving back to Ohio. It’s going to
Jason says: “It is, I suppose, unfair to judge this picture for not being conventional enough; it’s meant to be unusual and relatively plot-free. The question is, if you strip the basic building block of story away, what’s left? ISN’T
Michael says: “Kirby Dick won the Chlotrudis Award for Best Documentary with his film THIS FILM IS NOT YET RATED. Now he tackles sexual violence in the military with the same intensity and passion. This film is tough to watch,
Jason says: “It’s hard too believe that INTRUDERS is just Juan Carlos Fresnadillo’s third feature film; the past decade-plus has been pretty good for Spanish genre filmmakers whether working in their native tongue or English, and Fresnadillo’s 2001 film INTACTO