Diane says: “More SIDEWAYS than MY DINNER WITH ANDRE, Michael Winterbottom’s THE TRIP has British actors Steve Coogan and Rob Brydon engaged in one-upmanship as they travel the North Country on a gastronomicaltour. The dialogue is not as profound or
Michael says: “When Kat and Vic, two old friends who performed together in a punk rock band twenty years ago are reunited, tensions are high, but so are the powerful memories of a strong bond that the two women shared.
Brett says: “Consistent garden imagery and images of ‘faded paradise’ as the eldest allows weeds to grow and so forth fit some really subtle Biblical tie-ins throughout. As far as the brothers, there is also an interesting ‘Am I my
Thom says: “I would love to know the story behind this film which was presented at TIFF 2011 at a Gala. Directed by Schumacher who is the director behind such largely mediocre product like FLAWLESS, ST. ELMO’S FIRE, THE LOST
Toni says: “I can understand why this film has garnered audience awards at Toronto, Melbourne, and Film Festival(s). Lynda and Jools Topp are as the title of the film and their song implies are in fact ‘untouchable girls.’ Lynda and
Chris says: “Many book-to-film adaptations fail because they aren’t faithful enough, but just as often they’re too literal to succeed as cinema. In struggling to capture a book’s essence, they adhere closely to what the prose dictates but subsequently feel
Toni says: “I think that THESE AMAZING SHADOWS is too much of a propaganda love story to random films selected to the National Film Registry than an even documentary about the registry. There is much one might like to learn
Chris says: “In rural Queensland, Australia, Peter, a father of four suffers a fatal heart attack while driving and hits the enormous tree next to his house. Soon, his wife Dawn (Charlotte Gainsbourg) and 8-year-old daughter Simone (Morgana Davies) sense
Jason says: “Earlier in this festival (and on many other occasions), I saw a movie about an eccentric kid growing up, and it was kind of annoying; even if inspired by actual people, the characters seemed like adult screenwriters. So
Jason says: “When Cristian Mungiu last took audiences to Romania before the fall of communism, he gave us the tense, oppressive 4 MONTHS, 3 WEEKS and 2 DAYS; it seldom referenced the Ceaușescu regime directly, but still managed to perfectly