Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Jason says: “Animation fans will spend a great deal of time telling the rest of the world that the medium is good for more than children’s entertainment, and will point to movies with either violent content or mature themes to
Thom says: “This is the final TIFF 2011 film that I review, excepting others I will most likely see after this date. Quite a few are already playing in theaters including LE HAVRE, THE DESCENDANTS, MONEY PIT, & others. Wheatley
Bruce says: “The Dardennes are back with another tale of disillusioned youth. This time the subject child is Cyril (Thomas Doret) a child who has been dumped in an orphanage after his father Guy (Jérémie Renier) abandons him. Cyril’s first
Jason says: “Winnipeg-based director Guy Maddin has never been anything less than unconventional, but some of his more recent efforts have met the mainstream halfway; they were peculiar films but the audience didn’t have to take up residence in Maddin’s
Jason says: “THE KICK is frickin’ truth in advertising, living up to its title in every way it can. Not only does it feature more or less non-stop martial arts action, but it’s a kick – light, pure fun that
Chris says: “A fictional work based on a filmmaker’s own personal events risks a failure to resonate with or even translate to an audience. That’s exactly the problem with the latest from FORTY SHADES OF BLUE director Ira Sachs, which
Thom says: “Another recent winner from the enterprising Film Movement group this one emerges from Columbia, a rare treat. Karen, who’s married to a slimy businessman of no uncertain power decides to leave after ten years of an icy, reproachful,
Bruce says: “I’m probably not the right person to review a zombie film and I certainly would not do so had I disliked JUAN OF THE DEAD. But like LET THE RIGHT ONE IN which I loved, a film that
Thom says: “While the audience at the LGBT Film Festival went wild after the showing of this colorful representation of the early adult life of the legendary James Dean I felt like sneaking away in embarrassment. I’ve seen so many