Thom says: “Director Stoll had impressed me with WHISKEY (2004) & I liked this dysfunctional family drama even more. Usually with such a sad sack trio (mother, moved-out dad, & obstreperous teen girl) I’d have lost interest shortly into the
Jason says: “Sequels to independent films that didn’t really break out are kind of odd things; the audience is as much those who heard the first movie was pretty good as the people who loved it, so even more than
Jason says: “ZENITH is a bad no-budget science fiction movie, but at least it’s considerate enough to place itself toward the end of the alphabet. After all, while it did somehow manage to get itself booked in a few theaters
Jason says: “If ZONAD ever started to make a lick of sense for even one second, it probably wouldn’t work. Fortunately, filmmakers John & Kieran Carney are well aware of that, and while they have managed to put something resembling
Diane says: “Major disappointment! Maybe I was too excited by my sister’s prediction that YA would be the female CHUCK AND BUCK. Maybe I’ve been too captivated by the cringeworthy, edgy dialogue of the Duplass brothers. YA’s story is flat
Jason says: “YELLOWBRICKROAD is a movie constructed out of every tangentially-related spooky idea that its makers could graft onto the setting, and that grab-bag approach can be a dangerous way to put a movie together, even one where the usual
Jason says: “WINDFALL was not quite the movie I expected to see. The usual narrative about wind power here in Eastern Massachusetts involves liberals who support green energy until it threatens to become a part of their expensive sea views,
Ibad says: “ANOTHER YEAR is the latest offering from Mike Leigh and among the most emotionally affecting films of the year. The film, among other things, studies age and its various consequences and connotations. Among his illustrious string of performance
Michael says: “Paul Giamatti plays Mike Flaherty, an attorney in a New Jersey town who is struggling to make ends meet. When an opportunity presents itself for him to become the guardian of one of his elderly clients and make
Jason says: “It’s bad enough that WHAT WOMEN WANT is a romantic comedy that has deficiencies were both halves of the term are concerned, relying on its stars’ charm to get the audience to ignore writing that is sloppy and