Jason says: “Well, there’s certainly no denying that BIG ASS SPIDER! delivers what it promises – that is certainly one big-ass spider menacing Los Angeles from the very start. For those that want maybe a little more to their movies,
Chris says: “Bert Stern’s contributions to the art of photography are major enough to justify a feature-length documentary about them: for starters, look to his truly innovative Smirnoff Vodka ads that transformed Madison Avenue advertising in the 1950s, his portraits
Kyle says: “AT BERKELEY and THE LAST OF THE UNJUST share little in common aside from both being Main Slate screenings of the 51st New York Film Festival, both having very long running times, and both being sharply revealing contemporary
Jason says: “BERBERIAN SOUND STUDIO brought a film called AMER to mind, even though the two are spectacularly different in the way they pay tribute to Italian giallo movies. What they have in common is a deep affection for the
Chris says: “*Minor spoilers ahead* “Though not a flawless film, Richard Linklater’s BEFORE SUNRISE concluded almost perfectly: its open-endedness exuded a lovely power as it revisited all the spaces its two leads Jesse (Ethan Hawke) and Celine (Julie Delpy) inhabited
The Great Beauty (Italy/France; 142 min.) directed by: Paolo Sorrentino starring: Toni Servillo; Sabrina Ferilli; Carlo Buccirosso; Georgio Pasotti; Massimo Popolizio Peter says: “This is a film loaded with Fellini style imagery, characters, and abrupt scene transitions that make its
Kyle says: “BECOMING TRAVIATA, or in its much better French title TRAVIATA ET NOUS, is a documentary on preparations and rehearsals for a production of Giuseppe Verdi’s beloved 1853 opera ‘La Traviata’ at the Festival d’Aix-en-Provence, starring charismatic soprano Natalie
Jason says: “There’s a case to be made for THE BATTERY although it involves an premise that I’m not hugely fond of – that the filmmakers aren’t really making a zombie movie, but exploring the bond and antagonism that form
Jason says: “The question has probably been answered in some interview or festival Q&A with Sion Sono, but if he had been able to spend the time and money to edit this movie and get it released back in 1995,
Jason says: “You can say what you want about Detroit – that its main industry needs propping up, that its population is collapsing, that arson seems to be the most popular local activity – but you have to admit, hope