Bruce says: “Agnieszka Holland’s most acclaimed film – EUROPA, EUROPA – featured a young Jewish man who posed as a Hitler Youth to avoid his inevitable annihilation. With IN DARKNESS she returns to the holocaust once again. Nominated for a
Jason says: “The very title of THE IMPOSTER seems like it might be giving the game away, but it’s not hard to argue that this is entirely appropriate. Director Bart Layton opts to make the film a mystery only after
Thom says: “Directors Berman & Pulcini have a good track record with AMERICAN SPLENDOR, THE NANNIE DIARIES, & THE EXTRA MAN all worth checking out and while this film registers more of a sit-com script it still offers a bellyful
Thom says: “This is a nasty little film that certainly knows how to entertain once you get past the content. I’ve never seen any of Vroman’s previous output but I can say he’s done a very professional job here. Shannon
Thom says: “No real reason to review this but I had nothing to do one afternoon in Seattle. I’m not a fan of the TWILIGHT series and this is even worse. 12 boys and 12 girls are chosen from the
Bruce says: “HOW TO SURVIVE A PLAGUE serves as a textbook for the pros and cons of various mechanisms surrounding a social movement responding to a crisis. ACT UP was founded in 1987 by a group of people who felt
Jason says: “It’s an obvious thing to say in a review, and probably everyone who writes a review of this movie will say some variation, but what the heck: THE HUMAN RACE kicks a fair amount of ass even though
Bruce says: “Walls, barricades, checkpoints, barbed wire fences. These are prominent features in the West bank landscape and the areas that Palestinians must traverse to get from a refugee camp to a Palestinian village twenty five kilometers away. This fifteen
Chris says: “Honestly one of the strangest films I’ve ever seen, and perhaps one of the most wonderful. In his first feature in over a decade, filmmaker Leos Carax(THE LOVERS ON THE BRIDGE), along with his regular collaborator, the wiry
Thom says: “This unsentimental winner is yet one more great representative of the Film Movement visionary picks. This might well have come from the family-orientation oeuvre of an Ozu until we realize that this film will veer off into wacky