Bruce says: “Loosely based on the characters of Leopold and Molly Bloom in James Joyce’s Ulysses, MARRIAGE is a dawn-to-dusk examination of a marriage from within the minds of both husband and wife. It is a day in which both
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Jason says: “MANDELA: LONG WALK TO FREEDOM is a tidily-arranged biography; it organizes what people are interested in where Nelson Mandela is concerned and presents it in a manner that is respectful and stirring without feeling like it is getting
Jason says: “THE MACHINE is not the sort of science fiction movie that comes from someone who is, at heart, making a western, or because setting it in the future gives the FX guys a reason to make cool visuals,
Jason says: “This movie seems like it has no business being as good as it is – it’s a sweet, goofy thing that makes occasional ventures into crude adult territory, and the world of sentai action it’s set in demands
Chris says: “Linda Lovelace, star of the seminal mainstream porno DEEP THROAT, had a life story seemingly tailor-made for a biopic: plucked from obscurity, she became an instant, infamous celebrity, but paid dearly for it. LOVELACE revels in that dichotomy,
Jason says: “There are times when I watch movies and it’s not the obviously bad science itself that bothers me so much as the ignorance about the people and processes involved. It’s not the only discipline filmmakers seem to not
Bruce says: “LOVE FREE OR DIE begins with scenes at the 2008 Lambeth Conference, a once-a-decade get together for Anglican Bishops, a by-invitation-only event engineered by the Archbishop of Canterbury, Rowan Williams. One of the Bishops noticeably uninvited is Gene
Jason says: “Comedies are tough imports; wordplay gets lost in translation and different cultures find different things odd enough to be considered funny. So, it’s the big, unmistakable gags that cross borders best, but they’re not usually in the best
Jason says: “Set LORE in almost any other time and place, and it’s an impressive adventure story of a certain type, with fine young actors playing kids who must make an impossible-seeming journey against incredible odds. But it’s not set