Jason says: “THE MOTEL LIFE isn’t quite a lot of filler packed around one great moment – it is, really, a watchable indie drama, so when the scene the audience will remember comes, they aren’t likely to weigh that bit
Jason says: “Many potential audience members will see a preview for Markus Imhoof’s documentary MORE THAN HONEY and perhaps wonder if it has anything particularly new to tell them; we learn about bees and their symbiotic relationship with the local
Chris says: “A half-forgotten pop culture figure you probably never thought the world needed a documentary feature about, mid-century black comedienne Moms Mabley actually proves ideal for the format. Her career trajectory (playing to mostly black audiences until finding mainstream
Jason says: “Put its Mormon trappings aside, and MISSIONARY is the sort of basic ‘woman with a stalker’ movie that hits all its marks well enough that the audience doesn’t necessarily care that it’s working from a standard list. It
Bruce says: “Michael Haneke does not like to discuss his personal life – he prefers to concentrate on the man behind the camera. Those wishes are granted by director Yves Montmayeur. It is likely those wishes were conditional in making
Kyle says: “MIRACLE IN CELL NO. 7 is a despicable patriarchal fantasy presented as a comedic tearjerker about a wrongfully imprisoned intellectually impaired but adoring father Young-Goo (Ryoo Seung-Ryong) of a precious little girl Je-Seung (Kal So-Won), who is smuggled
Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
Chris says: “Deceptively simple and effortlessly graceful, this character study is the type of American indie you wish would receive the release and promotional heft of something like THE WAY WAY BACK. Martin Bonner, a divorced, sixty-ish man of Australian
Thom says: “I’ve followed Hal Hartley’s career quite closely & had seen all his feature-length films sans FLIRT (1995) & SURVIVING DESIRE (1993) & have loved some of them including TRUST, AMATEUR, HENRY FOOL, & FAY GRIM. Others haven’t been
Jason says: “As much as I’m glad the Boston Sci-Fi Film Festival is getting a better class of movies, I kind of wish that the timing of MARS ET AVRIL hitting the festival circuit and then having its regular release