Bruce says: “Michael Haneke does not like to discuss his personal life – he prefers to concentrate on the man behind the camera. Those wishes are granted by director Yves Montmayeur. It is likely those wishes were conditional in making
Kyle says: “MIRACLE IN CELL NO. 7 is a despicable patriarchal fantasy presented as a comedic tearjerker about a wrongfully imprisoned intellectually impaired but adoring father Young-Goo (Ryoo Seung-Ryong) of a precious little girl Je-Seung (Kal So-Won), who is smuggled
Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
Chris says: “Deceptively simple and effortlessly graceful, this character study is the type of American indie you wish would receive the release and promotional heft of something like THE WAY WAY BACK. Martin Bonner, a divorced, sixty-ish man of Australian
Thom says: “I’ve followed Hal Hartley’s career quite closely & had seen all his feature-length films sans FLIRT (1995) & SURVIVING DESIRE (1993) & have loved some of them including TRUST, AMATEUR, HENRY FOOL, & FAY GRIM. Others haven’t been
Jason says: “As much as I’m glad the Boston Sci-Fi Film Festival is getting a better class of movies, I kind of wish that the timing of MARS ET AVRIL hitting the festival circuit and then having its regular release
Bruce says: “Loosely based on the characters of Leopold and Molly Bloom in James Joyce’s Ulysses, MARRIAGE is a dawn-to-dusk examination of a marriage from within the minds of both husband and wife. It is a day in which both
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Jason says: “MANDELA: LONG WALK TO FREEDOM is a tidily-arranged biography; it organizes what people are interested in where Nelson Mandela is concerned and presents it in a manner that is respectful and stirring without feeling like it is getting
Jason says: “THE MACHINE is not the sort of science fiction movie that comes from someone who is, at heart, making a western, or because setting it in the future gives the FX guys a reason to make cool visuals,