Jason says: “This movie seems like it has no business being as good as it is – it’s a sweet, goofy thing that makes occasional ventures into crude adult territory, and the world of sentai action it’s set in demands
Chris says: “Linda Lovelace, star of the seminal mainstream porno DEEP THROAT, had a life story seemingly tailor-made for a biopic: plucked from obscurity, she became an instant, infamous celebrity, but paid dearly for it. LOVELACE revels in that dichotomy,
Jason says: “There are times when I watch movies and it’s not the obviously bad science itself that bothers me so much as the ignorance about the people and processes involved. It’s not the only discipline filmmakers seem to not
Bruce says: “LOVE FREE OR DIE begins with scenes at the 2008 Lambeth Conference, a once-a-decade get together for Anglican Bishops, a by-invitation-only event engineered by the Archbishop of Canterbury, Rowan Williams. One of the Bishops noticeably uninvited is Gene
Jason says: “Comedies are tough imports; wordplay gets lost in translation and different cultures find different things odd enough to be considered funny. So, it’s the big, unmistakable gags that cross borders best, but they’re not usually in the best
Jason says: “Set LORE in almost any other time and place, and it’s an impressive adventure story of a certain type, with fine young actors playing kids who must make an impossible-seeming journey against incredible odds. But it’s not set
Bruce says: “A love affair that evolved into a friendship spanning five decades is the best way to describe the relationship between Swedish director Ingmar Bergman and Norwegian actress Liv Ullmann. They met during the filming of Bergman’s PERSONA on
Jason says: “Sometimes, there are things that the written word can do that a film can’t. In NIGHT TRAIN TO LISBON, Raimund Gregorius (Jeremy Irons) tells how certain sentences in the book at the film’s center had a profound effect
Bruce says: “Kiarostami’s films have been on serious filmgoers’ lists for a long time now. Interest in his work began when he was strictly an Iranian director documenting the Iranian cultural landscape through his narrative works such as A TASTE
Jason says: “Not having read any of the books in Hiro Arikawa’s Toshokan Sensô series, I readily admit that this film adaptation of the first may give its fans exactly what they want (the manga adaptation looks as ‘shojo’ as