Jason says: “THE ROOFTOP is overstuffed, like Jay Chou had a half-dozen ideas for his 1960s Taiwanese musical project and couldn’t decide exactly which ones he wanted to use. So he threw in all of them, even if they don’t
Jason says: “RITUAL: A PSYCHOMAGIC STORY is explicitly inspired by the work and philosophy of Alejandro Jodorowsky, and many may find themselves disappointed that, after a very stylish opening, it is never in the same category of strangeness as Jodorowsky’s
Kyle says: “RENGAINE is called a ‘no-budget urban drama’ in the New Directors/New Films program note; this is obvious from the number of duties director Rachid Djaïdani is credited for in the end titles. So let us issue a shout-out
Jason says: “I’m certain that I must, at some point, learned that famed Impressionist painter Pierre-Auguste Renoir and noted filmmaker Jean Renoir were father and son. Somehow the information failed to stick, so re-learning that bit of information was kind
Jason says: “REMOTE AREA MEDICAL takes great pains to separate itself from partisan politics as much as possible, but its very premise – that a service designed to bring basic medical treatment to people in areas without any sort of
Michael says: “Mira Nair is a talented filmmaker. Her latest film, THE RELUCTANT FUNDAMENTALIST, is beautiful to watch, well structured, provocative, features terrific performances and a real slow burn. Unfortunately, the screenplay by William Wheeler, adapted from a novel by
Chris says: “This is the film devotees of David Gordon Green’s earlier features hoped he would make, although it’s probably not entirely what they expected. A remake of the Icelandic film EITHER WAY, PRINCE AVALANCHE returns to the Terrence Malick-on-a-tight-budget
Jason says: “Much of the time, a movie that was expanded from a short will feel bloated and kind of boring, as though the striking idea behind the original work has been watered down and made bigger without gaining more
Kyle says: “The North American Premiere of PRIDYIDER (FRIDGE) was presented under the New York Asian Film Festival rubric of ‘Manila Chronicles: The New Filipino Cinema.’ Yes, it’s about a refrigerator that kills people. And it’s so clear-headed and good-natured
Jason says: “THE PREY isn’t a big summer blockbuster by American standards; for all I know, it wasn’t a big deal when it played its native France as LA PROIE two years before its American release. It is a lean,