Bruce says: “POWERLESS examines two sides of the ‘power struggle’ in Kampur, a metropolitan area of approximately three million people. Kampur has had no increase in its power supply for twenty-two years although the population has tripled during that time.
Chris says: “A brief bio of George Plimpton would say that he was a journalist and co-founder of venerable literary magazine The Paris Review. Still, more so than Jean Shepherd, Truman Capote or even David Sedaris, Plimpton was most famous
Bruce says: “Some films focus on the inner selves of the characters; others focus more on the relationship of the characters to society as a whole. THE PLACE BEYOND THE PINES, certainly one of America’s finest films of this millennium,
Bruce says: “THE PLAYROOM’s sin is one of omission. There is just not enough substance. One scene in particular is revisited time after time. A voiceover is also repetitious. No doubt Julia Dyer believed repetition would reinforce the moment. That
Thom says: “I’m still trying to figure out what happened to the career of director Kim. After SPRING, SUMMER, FALL, WINTER…AND SPRING (2003) won numerous world awards, including an award from Chlotrudis as well & I when I finally saw
Thom says: ‘Perhaps I shouldn’t have been so surprised at how much I loved this film but until the starting credits rolled I had completely forgotten that the great Stephen Frears was the director. Over the years he’s been responsible
Jason says: “Many elements of PHANTOM are almost certain to remind audiences of THE HUNT FOR RED OCTOBER, and it actually draws heavily on one of the incidents that inspired Tom Clancy’s novel and the later film adaptation – or
Chris says: “Best known for his creative 1960s opening credit sequences (WHAT’S NEW PUSSYCAT?) and truly innovative work on WHO FRAMED ROGER RABBIT?, Canadian-born, British-based animator Richard Williams would have preferred universal recognition for THE THIEF AND THE COBBLER, a
Jason says: “Going by what I find on IMDB (which is not always the safest thing to do), PENGUINS 3D appears to be what you get when you cut a British nature documentary, THE PENGUIN KING 3D, down to half
Michael says: “It may be a little too early to start saying that Iranian director Asghar Farhadi is one of my favorite filmmakers, but he’s batting two for two with A SEPARATION and now the emotionally wrenching THE PAST, actually