Thom says: “It’s a rare film where I have a personal connection with the protagonist, no matter how small, which is the exact case here where for one semester on my way to my B.A. in Film from San Francisco
Jason says: “Even if Aharon Keshales and Navot Papushado were just one filmmaking team out of many people making this sort of movie in Israel, BIG BAD WOLVES would be a pretty terrific movie, a step up from their already
Bruce says: “Several years back, dogged director Phillippe Le Guay travelled to the Île de Ré near La Rochelle to deliver a script to actor Fabrice Luchini who was not returning his calls. Luchini, a well-known stage actor, had a
Thom says: “This is the debut film from director Edwards and his love for the project is evident throughout this pastoral work. It takes place in 1817 in Indiana where the young Abe Lincoln is growing up over a 3-year
Kyle says: “The murky moral morass of murderous ages-old conflict between Jews and Arabs, and the seemingly never-ro-end war been Israel and Palestine, have brought us two of the year’s best films. The first is OMAR, about which Jason wrote
Jason says: “If you look at a map of Maine, you’ll find that the northern half of the state is primarily a grid of unincorporated rectangular territories without names, with a few slightly more inhabited towns hugging the Canadian order.
Bruce says: “Virgil Oldman (Geoffrey Rush) is a preeminent expert in antiquities. He authenticates, appraises and auctions only the finest works of art. A confirmed bachelor, Oldman is a virgin who could easily be classified as a fetishist. He has
Kyle says: “BENDS is the opening title of the seventh season of ContemporAsian screenings at the Museum of Modern Art in New York. Most films offer so little that it is tempting to go overboard in praising something as wonderful
Jason says: “I don’t watch a lot of costume dramas or read the sort of classic romances that are this film’s close relations, so I’m not sure how often they are focused on matters of ritual and plotting and how
Jason says: “I wonder if there’s something about making a movie about popular music that puts filmmakers into a zone where they don’t need to work in quite so straight a line – they’re already thinking in terms of coming