Chris says: “When asked what BOYHOOD was about, I stumbled in finding the words for a two-sentence description; having had a few days to mull it over, my response now would be simply, ‘Everything.’ It’s the best way to sum
Boundless (Hong Kong; 94 min.) directed by: Ferris Lindocumentary Jason says: “Like many documentaries about films and filmmakers, BOUNDLESS will likely eventually end up as the extra disc in a box set (in this case of Johnnie To films), which
Thom says: “I saw van Warmerdam’s brilliant 2009 film THE LAST DAYS OF EMMA BLANK (5 CATS) at TIFF and ever since I’ve been haphazardly tracking him down but it was sheer coincidence that I went to see BORGMAN recently.
Jason says: “Georges Simenon wrote La Chambre Bleue (The Blue Room in English) about sixty years ago, and it appears to be the sort of elemental crime story where only small details need be changed to bring it into the
Jason says: “Say this for BLUE RUIN: It starts from a different place that many movies of its type, and that starting point means that even when it doesn’t necessarily go in a unique direction, it still winds up in
Blind Detective (Hong Kong/China; 138 min.) directed by: Johnnie Tostarring: Andy Lau Tak-wah; Guo Tao; Sammi Cheng Sau-man; Lam Suet; Gao Yuan-Yuan Jason says: “I know that I have made comments about how it’s a shame that we’ll likely only
Jason says: “One of the women in front of me was throwing her hands up roughly every ten minutes or so during this movie, and I wondered off the top of my head whether she was just having a general
Jason says: “BITTER HONEY opens with a bit of informative text, including the fact that it was filmed over a seven-year period. It’s an odd bit of information to include, because while director Robert Lemelson does a fair job of
Michael says: “I caught this unusual French film at the Toronto International Film Festival, and while the film overall is very good, it is most notable for a terrific performance by Josh Charles (most recently seen in ‘The Good Wife’)
Diane says: “Too bad I didn’t get it, before seeing BIRDMAN, that the real-life career of its star, Michael Keaton, peaked with the BATMAN movies. But the story of an actor trying to make a comeback–this time by writing, directing,