Chris says: “One phrase my professors repeated throughout film school was ‘show, don’t tell.’ Seems like a pretty obvious tenet until you consider how many filmmakers do exactly the opposite, from Hollywood hacks to indie auteurs. Watching this film, I
Next Goal Wins (UK; 97 min.) directed by: Mike Brett and Steve Jamison documentary Jason says: “NEXT GOAL WINS is an inspirational sports story that follows a familiar enough template that if it were fictional, we might be tempted to
Big Muddy (Canada; 104 min.) directed by: Jefferson Moneostarring: Nadia Litz; Justin Kelly; Stephen McHattie; James Le Gros; David La Haye Chris says: “Saskatchewan neo-noir? Well, if Joel and Ethan Coen can turn Minnesota into a convincing genre locale, why
Jason says: “I wonder how many of the critics who regularly make sure to include something along the lines of ‘don’t pay the extra for 3D, there’s nothing that merits it’ for seemingly every movie released in the format will
Mr. Go (South Korea/China; 123 min.) directed by: Kim Yong-hwa starring: Jiao Xu; Kim Hee-won; Sung Dong-il; Joe Odagiri Jason says: “I’m not going to sugar coat this – MR. GO is not the best possible movie that could be
Jason says: “This is Mike Leigh’s third historical biography, which is somewhat surprising considering what a loosely outlined style he is famous for using – improvisation and recreation do not necessarily go hand-in-hand. And yet, somehow, this winds up an
Jason says: “I must admit to bring a little surprised that John le Carré is still with us and writing contemporary works; I had sort of aimed he faded away with the end of the Cold War. This, it turns
Jason says: “Having a crappy job or two is often a rite of passage for folks in their late teens and early twenties, and if you live in a country like Israel with mandatory military service, having that turn out
Chris says: “Michel Gondry’s most ambitious film to date, MOOD INDIGO alternately plays like one of the director’s early, playfully innovative music videos stretched to feature-length, or ETERNAL SUNSHINE without brakes, or AMELIE on crack. An adaptation of a beloved
Jason says: “2011’s HAUNTERS was an excellent Korean movie that established a simple premise – two people with opposite superpowers (mind control and rapid healing) on a collision course – and delivered with entertaining action pieces, a likable cast of