Jason says: “At one point in ON MY WAY, Catherine Deneuve’s Bettie looks at the kid singing some English-language song in the passenger seat, then at the freeway outside the window, and grumbles that she feels like she’s in America.
Jason says: “OMAR starts with its title character scaling a wall to travel between two Palestinian areas of Jerusalem, and while I don’t know the exact rationale for that arrangement, a spy movie can do a heck of a lot
Kyle says: “OF HORSES AND MEN marks an impressive feature film debut by Icelandic stage director Benedikt Erlingsson, as well as film debuts by many of his theater actor colleagues. Beautifully conceived and observed, with the exquisite but forbidding landscapes
Kyle says: “NYMPHOMANIAC Vol. 1 & Vol. 2 are recent works by the most provocative director on the current international cinema scene. Lars von Trier has been thrice recognized by Chlotrudis with nominations for Original Screenplay for DOGVILLE (2003), and for
Kyle says: “OBVIOUS CHILD is the title of a song by the great Paul Simon, with its pointed lyric ‘Why deny the obvious child?’ Why indeed? Donna (Jenny Slate) is a rising standup comic whose specialty is talking dirty and
Jason says: “Having lived in New England my entire life, I’m mildly curious as to whether Jay Craven’s ‘Northern Kingdom’ films were ever particularly visible outside the region. They’re local and low budget, but fairly well made, and usually have
Jason says: “Lee Jeong-beom’s last film as director was THE MAN FROM NOWHERE, an action thriller spectacular enough that I’ve spotted people who usually don’t like their movies with subtitles telling other folks that they’ve got to see it. Lee
Chris says: “One phrase my professors repeated throughout film school was ‘show, don’t tell.’ Seems like a pretty obvious tenet until you consider how many filmmakers do exactly the opposite, from Hollywood hacks to indie auteurs. Watching this film, I
Next Goal Wins (UK; 97 min.) directed by: Mike Brett and Steve Jamison documentary Jason says: “NEXT GOAL WINS is an inspirational sports story that follows a familiar enough template that if it were fictional, we might be tempted to
Big Muddy (Canada; 104 min.) directed by: Jefferson Moneostarring: Nadia Litz; Justin Kelly; Stephen McHattie; James Le Gros; David La Haye Chris says: “Saskatchewan neo-noir? Well, if Joel and Ethan Coen can turn Minnesota into a convincing genre locale, why