Kyle says: “The title BALLET 422 references its creation as the 422nd new ballet for New York City Ballet, that number seeming to overwhelm choreographer Justin Peck’s youth, experience, and amount of time allotted to create said ballet. The brilliance
Jason says: “There are times when it almost seems as if BAG BOY LOVER BOY is making an argument against its own existence – that weird and difficult art is dangerous in the wrong hands, and not just in the
Jason says: “I guess it’s an improvement that somewhere during the second half of BAJIRAO MASTANI I backed off thinking of it as being a historical romance where nearly everybody is a terrible person, instead considering it one where people
Jason says: “It can be kind of interesting to watch a movie like BACK IN TIME (CONG CONG NA NIAN’ in the original Mandarin, translated onscreen as FLEET OF TIME) which comes from another culture, though often kind of puzzling:
Ava’s Possessions (USA; 83 min.) directed by: Jordan Gallandstarring: Louisa Krause; Wass Stevens; Annabelle Dexter-Jones; William Sadler; Deborah Rush Jason says: “Three years ago, I raved about Jordan Galland’s superhero comedy ALTER EGOS in part out of surprise; it worked
Jason says: “The two ATTACK ON TITAN live-action films, released just months apart in Japan weeks apart in the United States, total just under three hours between them, which makes me suspect that they really should have been a single
Jason says: “During the first half-hour or so of ASSASSINATION it is not unreasonable to think that the movie could and should be streamlined a bit; there is an awful lot introduced early on that seems needlessly complicated at the
Jason says: “To say one doesn’t see many movies like THE ARTI may understate the case; there is one family in Taiwan not only carrying on a tradition of glove puppetry but using it to make fantastic adventure films like
Jason says: “Confession: Going into this movie, I thought it was going to be a bit different than it was, not because I expected an all-out action extravaganza, but because I had director Hou Hsiao-hsien mixed up with an even
Jason says: “The likely-studio-supplied boilerplate that has shown up in a lot of listings about THE ARK OF MR. CHOW describes it as a satirical look at the Chinese ‘Youth Class’ system, and if it’s what passes for satire in