Thom says: “My friends all know I love horror films even though a high percentage of them are atrocious. This was supposed to be a one-off on my recent trip to New York but despite the GROUNDHOG DAY rip-off HAPPY
Chris says: “Cutting back and forth between concert and cinema verité footage is initially somewhat jarring, particularly for those who know little about Jones’ life offstage (i.e., most viewers). Fortunately, the latter’s contrast with the former grows more compelling as
Diane says: “The reason I went to see MID 90S, Jonah Hill’s directorial debut, was so I could admire Sunny Suljic’s hair again. (Sunny was the sweet little boy in KILLING OF A SACRED DEER.) Here Sunny plays Stevie, a
Beth CA says: “This film is interesting, and it’s worth watching because of the subject – and the video and photographic footage was excellent. However, when a film aims to document an artist’s life and work, the film ought to
Chris says: “A stranger-than-fiction doc even *more* fun than but almost disturbing as CAPTURING THE FRIEDMANS? No wonder it’s the feel-good-then-feel-bad indie hit of the summer. The first half hour or so is immensely entertaining; the increasingly wacko plot twists
Chris says: “Fairly pedestrian for a profile documentary—more worthy of CNN than a theatrical release, really. But Andre Leon Talley’s personality is welcome in almost any setting. Just as he nearly stole the show from no less than Anna Wintour
Chris says: “Starts off a little boring and leaden, with two rich girls(Olivia Cooke and Anya Taylor-Joy, both very good) in a passive-aggressive pas de deux. It achieves some focus once the what-to-do-about-the-creepy-stepfather problem is established—a narrative we’ve seen too
Chris says: “Given that 2008’s THE BEACHES OF AGNÈS was supposed to be Agnès Varda’s swan song, we’re just lucky at all to get one more film from the now 89-year-old Godmother of the French New Wave. And while this
Michael says: “There’s some major symbolism going on in the Lebanese film,MARTYR by Mazen Khaled, possibly about the state of Beirut, where the film takes place, but the gorgeous shots of water, and actor Hamza Mekdad’s nude body lean more
Chris says: “As an opera singer, Maria Callas had an undeniably great voice, but in her time she was also unmatched as to how she embodied her roles onstage (and offstage as well.) Tom Volf’s documentary is a lovingly assembled