Jason says: “I don’t know much about raising kids or autism, let alone the combination of the two, but I probably know just enough to find JACK OF THE RED HEARTS a bit more alarming than it was perhaps meant
Bruce says: “Filmed in black and white reminiscent of the 1960s, Philippe Garrel’s IN THE SHADOW OF WOMEN follows the dissolution of a marriage. Both husband and wife are having extra-marital affairs although they are happily married and deeply in
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those
Jeff says: “Actually, I will be nominating Rima Te Wiata for Best Supporting Actress in the role of Bella, a big-hearted, back-to-the-land farmer and forager who brings a misunderstood child out of his shell. This is a fish-out-of water story
Jason says: “Ambiguity is a powerful tool for filmmakers and other storytellers if they can handle the challenges of using the same material to build two opposing narratives at once, and not just because pulling it off is an impressive
Bruce says: “David Hockney as a subject is fascinating, complicated and ever so broad. In the contemporary art world, he is nearly without peer, when one considers the breadth and consistent quality of his work. No documentary could truly do
Thom says: “The Coen Brothers have had a long, steady run of super-loved films that they have directed and they very rarely fail to hit my highest rating so that this palpably fun film didn’t achieve that fantastic distinction is
Jason says: “HIGH-RISE carries so many illustrious pedigrees, such as the novel by science fiction author J.G. Ballard, and a committed performance by star Tom Hiddleston, and its press notes are filled with so many adjectives such as ‘ambitious’ and
Jeff says: “The next movie from director Jeremy Saulnier, responsible for 2013’s BLUE RUIN, GREEN ROOM once again throws a bunch of regular guys into horrific circumstances (heroin-manufacturing Nazi skinheads, homicidal dogs), and lets them improvise a way out (as
Jason says: “When I saw the first FROM VEGAS TO MACAU at a festival a couple years ago, I figured that I was just a victim of bad expectations, not prepared for something so silly, especially thinking of Chow Yun-fat