Brett says: “A very ambitious and breathtaking film, director Hlynur Pálmason’s third (and best) feature film to date goes for a full blown epic on the topic of colonialism, setting the film GODLAND in the 19th century during the dawn of photography.
Brett says: “This first feature from director Elena López Riera is part fable within a fable in which a small Valencia village is ravaged by generational floods. The legend behind the floods framing the story within is tied to a
“Slasher films are a dime a dozen, so when an authentic standout rears its intimidating, masked head lurking from the shadows, it would be … criminal not to give such a film(s) its proper due. “THE THIRD SATURDAY IN OCTOBER
Chris says: “Along with his other poet biopic A QUIET PASSION, Terence Davies is clearly on a late-career high; also his most deliciously bitchy film to date, and it doesn’t even have Laura Linney in it. (I’ll have more to
Brett says: “David Cronenberg returns to his ‘Cronenbergian ways’ in this film full of his body horror, shock and awe oddities that delight some, deter others, and appall … well, everyone. That’s not to say CRIMES OF THE FUTURE is