Brett says: “NANNY is a hybrid genre film based loosely on the story of director Nikyatu Jusu’s own mother and her experience with domestic work in New York City. The genre elements include West African folklore to amplify the horror
Brett says: “AFTERSUN is a memory encapsulated within a non-linear vacation narrative as a young father and pre-teen daughter have come together at a Turkish resort under some uncertain circumstances. In fact, the hazy cloud hanging over the film from
Brett says: “Writer/Director Lena Dunham returns to the big screen with CATHERINE CALLED BIRDY, a witty adaptation of the book of the same name by Karen Cushman. In this work, a 14-year old girl in medieval England undergoes the challenges
Brett says: “SANCTUARY explores power, identity, and trauma through a peculiar sexual relationship with a unique cinematic reality-bender format. There are only two featured characters, a dominant female sex worker and submissive male executive who finds himself struggling to find
Brett says: “Bill Nighy plays Mr. Williams in an English adaptation of Akira Kurosawa’s IKIRU. Mr. Williams has been a proper gentleman bureaucrat during his many years employed at the County Hall office. The tradeoff is that it has been
Brett says: “KNIVES OUT scratched an itch in audiences that they may have not known they even had when the first film in the franchise revived a standard for classic murder mystery characters in a refreshing new standard of modern
Thom says: “This is certainly going to be one of the most fun reviews to write ever (or so I thought). When my brother Chuk and I moved from Fell Street to our wonderful new apartment on Laguna Street, the
Brett says: “In what promises to be one of the most distinctive films of the year, director Daniel Goldhaber follows up his uniquely effective thriller CAM with another one-of-a-kind thriller, this one affiliated with the cause of environmental activism. The
Brett says: “A few scenes into ALLELUJAH, it might become apparent that this could function as a stage play, and—of course—that is because it is actually based on a stage play. The film is heavily reliant upon the performances of