Brett says: “Sometimes the power and outreach of an artistic venture is more important than the attempt to measure or ‘rate’ the art within. BONES OF CROWS is a timely piece that narrates intergenerational tragedy after tragedy among a family
Brett says: “According to the film, SISU is a word that has no clear translation but one that reflects undeterred courage and determination when all hope is on the chopping block. This Finnish film from RARE EXPORTS director Jalmari Helander
Brett says: “The hype that preceded the concept of an Al Yankovic biopic was justifiably darn near celestial by its very nature, especially when practically everyone—filmmakers and audiences alike—have been in on the gag from day one that this is
Brett says: “A very ambitious and breathtaking film, director Hlynur Pálmason’s third (and best) feature film to date goes for a full blown epic on the topic of colonialism, setting the film GODLAND in the 19th century during the dawn of photography.
Brett says: ” This first feature from director Elena López Riera is part fable within a fable in which a small Valencia village is ravaged by generational floods. The legend behind the floods framing the story within is tied to
“Slasher films are a dime a dozen, so when an authentic standout rears its intimidating, masked head lurking from the shadows, it would be … criminal not to give such a film(s) its proper due. “THE THIRD SATURDAY IN OCTOBER
Chris says: “Along with his other poet biopic A QUIET PASSION, Terence Davies is clearly on a late-career high; also his most deliciously bitchy film to date, and it doesn’t even have Laura Linney in it. (I’ll have more to